JB0

You miss the key point... Misa and Minmay were mentally defective too. The whole thing was the most socially inept love triangle in the history of polygons. Macross needs to be remade. With Max and Focker as stars and Hikaru in his proper role as comic relief.

It looks to me like the pose is of equal quality to the xerox.

And FF6 basically eliminated character class, and it was the last SNES game. The pattern fails on the FamiCom, though. There's no real correlation between those 3.

Snake's old. There's a lot of mecha stomping around. Snake provides some narrator crap about corporations controlling everything, even the thoughts of the soldiers, and how war has changed to a business. Raiden is back as an effiminate cyborg. Snake repeats "War has changed." about a dozen times. Otacon, Naomi, and Meryl are back. Snake goes all emo and angsts about how he has no place in the world and sticks a gun in his mouth*. Screen turns red. MGS4 logo flashes up. *And this won't make it into the final game any more than any of the previous trailer scenes have.

Me.

Then again... he did hit her up with an offer to go to a motel in DYRL! 399075[/snapback] Remember, DYRL isn't "real." It's an idealized Hollywoodization of events. The "real" Hikaru wasn't cool enough to be a great hero of the war, so they spruced him up a bit.

Probably IS drawing inspiration from Kup. If that's supposed to be his original Cybertronian form, it would be logical to have that sort of styling(if I recall, that generation of Transformers retained their "native" forms instead of being re-engineered to blend in). 398757[/snapback] You guys have never seen the comics then, this is War Within Prime, the series about the ancient history of Cybertron and the Cybertronian wars after Orion Pax becomes Optimus Prime. Takes place 5-10 million years ago. 398852[/snapback] I HAVEN'T seen teh comics, but thanks for confirming my guess that it was his "native" cybertronian form. 399026[/snapback] I should point out in the Dreamwave (and for now, canon) continuity, the pre-Optimus bot is an archivist named Optronix. Only the cartoon called his former self Orion Pax 399067[/snapback] But he'll always be Optimus to the fans.

I'd flat out LOVE to see a Punch-Out game which used the motion-sensing capabilities of the Wiimote. Come to think of it, I am also praying that some very smart person at Sega has thought "Hey... how about a new Samba de Amigo?" 398875[/snapback] That brings back dissapointing memmories of Punch Ouch and the Power Glove 398898[/snapback] Except THIS time the game would actually SUPPORT the controller, instead of the controller emulating an 8-way, 4-button gamepad. I wouldn't say that. Apparently, Kojima has wanted Snake in Smash Bros for a long time now and had asked too late for him to be included in Melee. So he got his wish for this next game. Now we need Mega Man and a Belmont (I'm sure Team Sonic is there). 398955[/snapback] With Pit already in if you add those two and a giant Gameboy we could have "Captain N: The Game Master Melee" 399023[/snapback] Not the GameBoy. Even as a kid, I thought the entire series went downhill with GameBoy's addition to the team. But redesign Zero Samus to look more like Lana, and add in King Hippo, Eggplant Wizard, and Dr. Wily, and you have the makings of a decent licensing nightmare of amusement.

Probably IS drawing inspiration from Kup. If that's supposed to be his original Cybertronian form, it would be logical to have that sort of styling(if I recall, that generation of Transformers retained their "native" forms instead of being re-engineered to blend in). 398757[/snapback] You guys have never seen the comics then, this is War Within Prime, the series about the ancient history of Cybertron and the Cybertronian wars after Orion Pax becomes Optimus Prime. Takes place 5-10 million years ago. 398852[/snapback] I HAVEN'T seen teh comics, but thanks for confirming my guess that it was his "native" cybertronian form.

Plus had some great mecha fights. I hate to say it but for mecha shows I watch them for mecha more than story. (that doesn't mean I can[t appreciate a good story when one is in it) They were all one-on-one, though. Except for the QRau fight in the beginning of the OVA. More = better. That was a major gripe I had with Mac7. I wanted to see some growth in Basara. Or at least some explanation of how he got where he was. People aren't BORN that idealistic and passionate. ... And when he died, he should've stayed dead. That WOULD be awesome. But what would you do it with? Another colony fleet running into another well-equipped space force is probably the best chance. The original WAS great. It had a wide spread of characters and subplots(even if many weren't explored as much as they could've been). But I've never really gotten where the "music fixes everything" theme comes from. That was one aspect of many things. The zentradi defected because of our culture as a whole, not JUST Minmay. And the infamous psych warfare music videos were used to distract and confuse zentradi, not defeat them(they had off switches on their comm hear if that was our whole strategy). We had guns and missiles for the actual defeating. In later shows music was RELEVANT, but only 7 and 2 elevated it to pirmary weapon status.

Right. Hence Exedol's strategy of just knocking out the command ships, since zentradi rules have forces fold out of battle as their commanders get knocked out. Still difficult, but not impossible(given the thousand or so zentradi ships they had assisting them). The Grand Cannon was a stroke of luck in that it let them go straight for the top of the ranks and remove the whole fleet at once. Too slow. They didn't have months to wait while rations were redistributed, or even days to wait while everyone on Bodol's ship got sick and died. They needed to kill the entire fleet BEFORE they trained their guns on the Macross and Britai's forces, which would have been happening in minutes had they not dived right into the thick of things with 80s pop music blaring. Good plan if you have time to spare, though.

He probably DID get another medal or 3. He had a lot of distinguished stunts. Hell, I'd've given a medal to everyone that fought in the final battle, just on principle. "For meritorious defense against genocide under overwhelmingly hopeless odds, we hereby award all participants in Operation Giantkiller, living or dead, the United Nations Medal of Honor." ... Actually, it was signifigant enough that they could justify making a special medal just FOR participants in that battle. ANYWAYS... they only illustrated his first, because it was signifigant to the plot. The others would be tangental. Quite possibly. But that leaves the question of why Misa is cleaning his house. Is he just a good hugger?

I wonder what would happen if the poll was zero'd now that we know the PS3D0 is so overpriced.

They're sure it'll turn a profit. I'm betting it's been heavily test-marketed already. They actually skipped CD-ROM totally and went straight to DVD on the GameCube. But it all goes back to the SPC700 sound module in the SNES. Sony made it. Actually, Kutaragi(yes, Mr. "PS3 is not for households" Kutaragi) designed it after hearing the abysmal sound on his daughter's new Famicom, and then talked Sony into pitching it to Nintendo for their next-gen system. They did, and Nintendo liked it enough to buy it. All good so far, right? Part of the license Nintendo signed with Sony was that Sony got publication rights for any Nintendo CD products. At the time, they were thinking sound tracks. Games were on ROM carts, and disks weren't practical. When they started designing the SNES CD with Philips, Sony pointed out that that publication clause in the contract would extend to CD software. So Sony wound up being involved in the hardware design. THEN they got into disputes over the actual software licensing policies. Sony had the rights, so they could do whatever they wanted. And Sony wanted to open the floodgates. They were making it very clear that ANYONE that paid them a licensing fee WOULD get their game published. Nintendo didn't like that. They might not have had the strictest quality control standards, but they DID have standards. Nintendo couldn't talk Sony out of it, so they canned the SNESCD project, and never made a CD-ROM unit.

I want to see one where Kawamori does absolutely everything.

Yah on both counts. The massive backlash from the VB means it's probably the only system Nintendo's ever lost money on. ... And really, it was a good idea, but the tech wasn't quite there yet.

Pit's in Smash Brothers Brawl. That's probably fanning hopes now. Smash Brothers has been constrained to once a console so far. It's in the same category as Zelda and Mario Kart.

The same bloggers that insist they need to give up their massive profits and become a 3rd-party developer for Sony? Those guys sure do have good business sense... Okay.... *passes you a 2600 joystick* Knock yourself out. Good luck playing anything released in the last 2 decades. Analog control was a major innovation when it hit in 1983. And again in 1996. >8-way motion was the most signifigant improvement to directonal control since people realized they could put a single control on top of 4 switches and make a joystick. As for buttons... more complex games need more buttons. Fact of life. You mean the same computer games that use more buttons than a game console HAS just for weapon selections? You're insane. A. Nintendo's done it. Twice. The NES was notable for not having a joystick. The N64 was notable for having an analog thumbstick. B. Nintendo simply doesn't take losses. A business strategy with a potential for loss isn't acceptable to them. There's a REASON they turn a larger profit than anyone else in the industry, and it's because they think before they act. They've test-marketed the ever-loving poo out of this thing and KNOW it will do well. C. Optional devices sure get a lot of support, don't they? Yup, EVERYONE made SuperScope and Menacer games, and SegaCD games sold millions. Don't make me laugh. The ONLY way to get any signifigant software development is to pack the controller in. And they ARE including provisions for conventional gameplay. No. They're buying Nintendo systems because there's good games on those systems. If the controls are complete poo, the games, by definition, won't be good. And when did those sequels become tired retreads of low quality? The only retread I've seen was Prime 2, which was a retread of a game that was damn near perfect. You confuse the existence of a name with rehashing. Hell, many of the Mario games aren't even sequels. They're totally unrelated to anything, save for a corporate mascot attached to them. And of course, you ignore new franchises, which appear with surprising regularity for a company that only makes Mario, Zelda, and Metroid. The PS library consists largely of low-quality rehases that sell SOLELY on name. Except SquareEnix hasn't existed for most of tri-Ace's life. Enix was their long-time publisher, and it became SquareEnix after the merger. ... Which has nothing to do with anything. Squeenix is their publisher. They have nothing to do with game development. If tri-Ace wants to develop for the Phantom, Squeenix can't do a thing about it(though the complete non-existence of the Phantom might cause issues). They have NO impact on tri-Ace whatsoever. They've been in a "good place" since the NES. Not necessarily the domiant force in the market, but always the profitable one. It was a problem before. Even single-player-only games on systems with no connectivity have shitty AI. Wierd as opposed to what? A game designed around NES technical restrictions?

Damn... now I need a WonderSwan. 398445[/snapback] a what? 398677[/snapback] Its NEC or Bandai's handheld that was developed by Gumpei Yokoi after he left Nintendo. Yokoi was the guy responsible for the creation of the Gameboy. He died soon after creating the Wonderswan when he was hit by a car while trying to assist a motorist that was on the side of the road who had problems with her car. 398718[/snapback] Bandai. NEC's was the TurboExpress/PCEngine GT and PCEngine LT. Aww, shid... he got hit being a good samaritan? I'd never heard that part before, just that he got run over... Rumminging Wikipedia says he was helping at a car accident. Irony. ... And for those wondering, Yokoi left Nintendo because after creating the Game&Watch(and the cross-key gamepad), Metroid, the GameBoy, and teaching Shigeru Miyamoto everything he knows(Miyamoto was working under Yokoi's guidance when he created his first games), he created... the VirtualBoy.

Yep, a lot of the cards coming out of HK and China are bootleg cards. They look identical but the plastec is softer and I think I read somewhere that the writing on the card isn't set into the plastec. I guess they split (top from bottom) pretty easily. The advantage though is that if you get one that works well they are showing significantly faster transfer times than the legit cards. On a site I visit I read that people are getting some bootleg cards from amazon since amazon affiliates itself with some tiny stores. For example if you bought from amazon via toys R us then you likely to get a legit card. If you got yours shipped from joe blow game store...who knows. 398608[/snapback] So yeah, you meant SonDisk and Sany-type stuff? May as well avoid the randomness factor and get a KNOWN high-performance card from a real brand.

Probably IS drawing inspiration from Kup. If that's supposed to be his original Cybertronian form, it would be logical to have that sort of styling(if I recall, that generation of Transformers retained their "native" forms instead of being re-engineered to blend in).

From what I've seen each entry in the series has gone in a new direction. I haven't seen 2 Macrosses that fit into the same formula. He actually WAS involved in the writing of the TV series. He didn't write the entire thing, but he didn't just draw some mech, and tell someone to make a story about transforming jetplanes and giant aliens either. Strictly by credits, he was as involved in Macross 7 as he was in the original series. Creator, supervisor, mecha design, script for an episode(actually the mini-movie for Mac7), and storyboarding(actually only for 1 ep in Mac7 as opposed to an entire series for SDF). But there's implications he was involved in the scripting of large portions of the original show, and that Macross 7 was something he agreed to just to generate funding for Plus. 'Sides, Plus was being developed alongside Macross 7, so he couldn't have the same level of involvement in 7 as with the original series, just due to time constraints. If you want to argue his vision, let's take stuff where he WAS clearly integral to the writing. He penned the script for DYRL, and he was script supervisor for Vision of Escaflowne. Thanks. Plus blows a hole in any "formula" arguments, because it was almost NOTHING like the original series, and is a favored installment.

For what it's stated in the series and it appears, it actually does. It seems like Zentran's main guns' range are around a stable orbit from Earth (50,000 km at most?), while the Macross blasts the 2 scout ships Vlrithai sends from Earth's atmosphere and up to around half way to moon orbit (150,000 km?). Those are both minimum ranges. We have nothing to go by for maximums. Though the fact that the Macross' cannon ripped through a wall of rock, boiled off a large mass of water, and tore through the atmosphere BEFORE punching that zentradi vessel(which it went through like it wasn't there) implies a VERY high range based on power output. And the rock, steam, and air failed to disrupt the beam's coherence signifigantly. I think the functional ranges are limited by sensor accuracy as opposed to the weapon. We had the legendary reaction weaponry. We rebuilt the ASS. We could've added reaction weaponry to the ASS. They didn't really consider the vessel in and of itself to be a threat. They chased it because it was part of the Supervision Army. They let us live because they wanted our nukes. Then they got culturally contaminated and tried to exterminate us. But we had a SEKRIT WEAPON, insider knowledge, and a large deal of zentradi defectors. And yes, luck. Bodol was polite enough to park near the Grand Cannon's attack area, so when it fired, it cleared a path straight through the fleet for easy access to the command center. 398442[/snapback] The beam also manages to make a 90 degree turn!!! I don't know how the Zentran managed so long without actually figuring out nukes. 398601[/snapback] I assume you're talking about the smaller guns on the zentradi ships.They didn't actually DEVELOP their equipment. They did the equivalent of picking it up at a store, and when the store stopped carrying it, they were screwed.

I only just saw this. 360 is almost reasonably priced. Admittedly, MS is bleeding red ink all over every unit, but... The Wii is expected to be cheaper, and profitable. Nintendo's been very good about profiting on the console sales. So Wii now, 360 after a price cut, PS3... whenever Sony can get it to a reasonable level. The Saturn set a really bad precedent of losing money, and the PS2 and XBox sustained it. 360 is likely the last system to do so, though.

I agree with you, many people are dumb ;; they have lost common sense My point was, if the AI "thinks" like you, you will lose, because, the AI reaction will faster than any human reaction. I agree with the "adaptive difficulty" 110% Part of thinking like a human is thinking at human speeds. Thinking faster than me would be superhuman. you can challenge yourself in metal gear solid not to kill anyone (besides the bosses), but people like to kill ;; That's part of what he means. There's no alternative to blowing all the bosses away. A REAL Solid Snake would do everything in his power to avoid the confrontation.... And me? I'd've hotwired Rex as soon as I entered the hanger. To hell with Meryl, I wanna put Snake on the RIGHT end of the thousand-ton walking death machine for a change. i do liked the locked pattens, because once u mastered a game, you can show off that you can finished super mario bros 3 in 10 minutes 398532[/snapback] Which is bullshit. Pattern memorization is nothing. If there's a set pattern, the game fails. Reflexes, quick thinking, that's what real skill is. The ability to react to the unexpected is always more impressive than simply knowing where everything is. It's even worse when you reach places that REQUIRE offscreen knowledge to navigate successfully. To take an old example... Space Invaders is rigid, unchanging, locked. The enemy bullets might be randomized, but the rest of the game is insanely mechanical. If you've beat round 1 once, you've beat it a million times. Asteroids is a flexible and changing game. Asteroid start locations are randomized, and all actions past that are dependent on player action. Round 1 may always be easy, but it's always DIFFRENT, making every play unique and interesting. It's a very organic game. I think you can guess which one I prefer. I hate pattern-based games. Passionately.