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Seto Kaiba

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  1. Seto Kaiba
    Not quite? Many models of Variable Fighter including the VF-1 Valkyrie inherited their names from older models of fighter, bomber, etc. used by real world militaries. The VF-1 is named for the North American XB-70 Valkyrie supersonic bomber. (Hikaru even has a model of one in his quarters in DYRL?.) Other examples include: There are a few cases of VFs with explicitly mythological names, but those are all much rarer and most are fairly recent. Some were chosen by fans as part of a contest, while others were riffing on the names of previous models with inherited military names.
  2. Seto Kaiba
    Considering she's 71 and has a whopping 44 years as a producer and 12 as President and CEO of Disney LucasFilm to her name... nobody'd blame her if she actually took a full retirement. It's a hell of a career. If she were being forced out, it'd be something like what happened to Carlos Tavares last December. No advance notice, no talk of choosing a successor, just "We've decided to part ways" and an immediate and unfilled vacancy. (Not that anyone will miss Carlos.) Yeah, the brainrotted culture warriors aren't exactly ones for little things like perspective.
  3. Seto Kaiba
    Not that I can see. The series is supposed to start its broadcast run on April 8th (about 40 days hence at time of writing), but nothing on ANN or their official website about who's going to be carrying the series in western markets. I'd assume it's going to be Crunchyroll. They've had a lock on the simulcast streaming rights to new Gundam shows for over a decade now. The one exception being Requiem for Vengeance, which went to Netflix because Netflix bankrolled its production in exchange for the worldwide streaming rights. They'll probably announce it when they start to roll out the Spring 2025 simulcast schedule.
  4. Seto Kaiba
    That is a huge improvement. I get what they were going for with their original choice of music, in terms of its thematic and symbolic meaning, but in terms of selling the show they should've just stuck with the score from the first season.
  5. Seto Kaiba
    I'm not planning to... I can't get past how fugly the designs are, and what's been revealed about the scenario doesn't really thrill me either. It's not without potential, but it feels too much like the center of a venn diagram of Gihren's Greed and G-Witch for me to care. I'll give it a fair shake when it comes out on streaming but I'm not going to pay actual money to see it in a theater.
  6. Seto Kaiba
    That is, if anything, the most perfect and hilarious outcome to this discussion we could have asked for. 🤣 👍
  7. Seto Kaiba
    Seemed like a safe bet to me, TBH. After all, Andor was/is the one Star Wars title on Disney+ that avoided the two main stumbling blocks of Disney+ Star Wars: Fan Writers and Force Users.
  8. Seto Kaiba
    Well, that's evidence that they learned from last season's rough start. Instead of a two-episode opener where all the action is in episode three, they're just going to drop an entire story arc at a time.
  9. Seto Kaiba
    I'm an engineer, mate... don't threaten me with a good time. 😜 Put simply, the people in charge of developing and producing these shows and movies are the ones responsible when those shows and movies are received poorly. That seems pretty straightforward, IMO. Blaming Kathleen Kennedy for all of Star Wars's issues is like blaming the CEO of McDonalds when your local McD's gets your order wrong. Yeah, the person responsible and the person you're blaming are in the same general organization... but they're almost completely uninvolved with each other on a day-to-day basis. I'm not saying you can't be happy about it, I'm just saying it doesn't make logical sense and won't actually change anything because Kennedy was never the one making those "bad" creative decisions to begin with.
  10. Seto Kaiba
    Like I've said previously, LucasFilm's problem is that the studio is bringing in talented people with thoroughly respectable creative credentials as producers, directors, and writers to helm these new Star Wars projects... and a fair few of these people are turning in crap work. The "why", I assume, varies widely. Whether it's because they're promoted fans who're too in love with Star Wars to write anything but bad fan fiction, too afraid of being tarred and feathered for "failing" Star Wars to take creative risks, or cynically chasing a proposal that sounded like something fans already like... the work these showrunners and writers and directors with excellent credentials are doing just isn't striking a chord with the target audience. Kathleen Kennedy is just the LucasFilm CEO and President. She has probably half a dozen layers of management between her and anyone who's actually making anything like a creative decision. It's not like she's micromanaging every single thing the company does. There aren't that many hours in the day. Let go of the culture war brainrot.
  11. Seto Kaiba
    See? This is a perfect example of Star Wars fans irrational desire to blame Kathleen Kennedy for anything and everything even when it makes no sense at all. Now Kathleen Kennedy's supposedly to blame for the failure of the Star Trek soft reboot movies... even though Star Trek and Star Trek: Into Darkness were both completed before Abrams left to work on Star Wars. Both films were financial failures that underperformed at the box office and brought in little in the way of merchandising revenue. Paramount's attempt to reboot Star Trek was already a commercial failure well before Abrams departed and Star Trek: Beyond simply continued that downward trend by continuing to do all of the same things that already hadn't been working with Abrams in the director's seat. Kathleen Kennedy owns no part of that failure. That is ALL Paramount and Bad Robot, and arguably mostly Alex Kurtzman and Roberto Orci's belief that they needed to make Star Trek "less Star Trek-y" for the movie to be marketable.
  12. Seto Kaiba
    You'll never be able to unsee it once you realize the Aerial Knights are set up with the same style and tropes as the main characters from Ouran High School Host Club. 🤣 I know I can't.
  13. Seto Kaiba
    Yep. I'm mostly there for the VF-171s, truth be told. It's a quirky little Macross Delta prequel, but much less impactful and relevant than The White Knight of the Black Wing. THAT one should really have been a flashback episode of the TV series proper.
  14. Seto Kaiba
    That's not Kathleen Kennedy "ruining" Star Wars, though. Kathleen Kennedy aggressively pursued a producer/director/writer with an at-the-time quite respectable CV, a stack of industry awards, and experience writing and directing both sci-fi and action titles. They were even poaching him from the other big American sci-fi franchise. From a business perspective, it surely looked like an absolute win. She hired a top writer-director who then proceeded to fumble the bag by producing a very safe and unremarkable sequel that triggered a panicky attempt to rework the story on the fly to win back fans who were never going to accept the sequel trilogy anyway. She hired people with good credentials and experience and a fair number of those people just did sh*t work.
  15. Seto Kaiba
    If the pattern continues, the next blame figure is LL... ... ... in hindsight, it's a shame Disney bought Marvel and not DC. The next LucasFilm head would be in real danger of dating Superman.🤪
  16. Seto Kaiba
    Neat. I'mma go see that for sure. 😁
  17. Seto Kaiba
    Nah. Kathleen Kennedy's just a convenient blame figure for the Star Wars fans who buy into culture war BS. She's the studio president and CEO, FFS. It's not like she's in charge of development of new Star Wars stories herself. Even if she were, it's weird how fans only ever want to credit her with the stuff they don't like... as if fan-favorites like The Clone Wars seasons 5-7, Rogue One, Rebels, The Mandalorian, Ahsoka, and Andor weren't all made during her tenure too. The blame for Star Wars's struggles under Disney rests farther down the chain of command with promoted fans writing fanfic-tier material and the studio's self-defeating goal of trying to satisfy die-hard fans determined to hate anything it does and appeal to general audiences at the same time. It won't change a bloody thing. Assuming LucasFilm has a relatively normal corporate organization, there are probably at least three and more likely five to seven layers of management between Kennedy's role and anyone doing any actual creative work. The janitors cleaning the office space are probably more closely involved in the creative workflow than Kennedy or her replacement.
  18. Seto Kaiba
    Tried to get clever with the music for the trailer... but otherwise it looks like more or less exactly what we've been promised. The "The Revolution will not be civilized" years of the Rebellion that Cassian talks about in Rogue One.
  19. Seto Kaiba
    Gepernich's host body, Ivano Gunther, is a man. Admittedly, a man who is described as androgynously handsome with long hair and "lips that shine seductively"... who happens to be voiced by a woman (Yo Inoue). (Gunther was a staff officer from the Varauta 3198XE colony set up by Megaroad-13, who unwisely decided to f-around and find out in order to monopolize the Protoculture relics on the system's ice planet.) TL;DR: Gepernich is an energy being possessing a kaiju possessing a femboy. Whether the concept of biological sex means anything to the Evil-series body Gepernich inhabits or the energy being from fold space that is the true form of Gepernich is anyone's guess.
  20. Seto Kaiba
    Yeah, there's already a post in the news thread about it:
  21. Seto Kaiba
    Yeah, like I said... perils of the secondhand market. When I go looking for OOP books, I usually end up on Yahoo! Japan Auctions and Mandarake. The risk of getting ninja'd on an item on the former is still somehow less problematic than the frankly absurd markups some of these small sellers on eBay get up to. I've had the best results with Mandarake, at least in terms of looking for old doujinshi/fanzine titles like Sky Angels or Battleships of the Galaxy. For new stuff, I usually decide discretion is the better part of valor and buy 2-3 copies as soon as a book that might be relevant to my translation projects comes out. I'll probably pick up digital copies of several books from there, though I actually already have print copies of Macross E from when it first came out. The digital version'll definitely prove useful for getting clean art of the VF-171EX Kai though.
  22. Seto Kaiba
    It's kind of a self-defeating temptation, because the more of Macross 7 you watch in one sitting the less tolerable it becomes. It works great as a one-per-day or one-per-week sort of show, but that first twenty or so episodes is absolute TORTURE if you try to marathon it. That's why I ended up hating the series on my first go. I tried to binge it and the sheer saminess of the pre-Sound Force story just killed me. I'd call SEED FREEDOM an eminently skippable Gundam title. It's not... awful... it's just unimaginative and doesn't add anything new or meaningful to the setting. It's basically just Destiny again and worse. And with more incels and more people telling Shinn he sucks.
  23. Seto Kaiba
    Macross 7's early episodes are definitely a struggle due to that lack of musical variety and the main plot not really kicking off until Sound Force is formed around 20 episodes in... once you hit that point though, it really takes off.
  24. Seto Kaiba
    That's the problem with the secondhand market... avoiding the price gougers. That's a 20x markup over what those books cost new.😅
  25. Seto Kaiba
    Ameku M.D. remains a most epic trashfire... it really is impressive just how consistently bad the writing is. I wouldn't recommend it to anyone, but I'm having fun tuning in each week to see what kind of braindead nonsense the writers come up with next. The writer's biggest problem is the pretense that the titular Dr. Ameku is a "genius". The writer(s) can't seem to figure out how to actually depict her as a brilliant pathologist, so the story compensates by making everyone else an idiot with no pattern recognition skills or situational awareness so she can appear brilliant by comparison. I May Be a Guild Receptionist wore out its premise and jumped the shark surprisingly quickly. The show's whole premise depended on its parallels to, and commentary on, Japan's toxic work culture... and it collapsed like a failed souffle when the story decided to reveal the protagonist's overtime woes are wholly self-inflicted. She doesn't have to work any of the OT she's working. She's doing it voluntarily (and unnecessarily). The comedy basically vanished as a result and what's left in its wake is an unremarkable isekai-adjacent light fantasy story about a girl who flies into a psychotic rage over any disruption to her day. I'm Getting Married to a Girl I Hate in My Class is still pretty OK, though it seems to be trying to tease a harem situation in a really awkward and unwelcome way. Medaka Kuroiwa is Impervious to My Charms is... well... basically unchanged from the start. It's still a cleaner, more kid-friendly version of B Gata H Kei... which tends to make it a bit one-note. It's still funny, but it lacks variety? Bogus Skill <Fruitmaster> is still absolutely dreadful. It's one of those ones like Isekai Cheat Magician where you kind of wonder how anyone looked at this and said "Yeah, that's good enough to release". I Want to Escape from Princess Lessons is still consistently good. I have a lot of fun with that one every week. Mainly because the characters are so spirited. Leticia has a level of charm that reminds me a lot of Macross Delta's Freyja Wion. She's here for a good time, and she's not going to let anyone or anything get her down and her optimism is infectious that way. Possibly the Greatest Alchemist is still pretty bland. Same as Welcome to Japan, Ms. Elf. Kind of the animated equivalent of white noise. Not offensive, but not something that I'd voluntarily tune in to. Blue Exorcist is still mucking about with flashbacks, and the delivery has lost all of its impact. I think a lot of it is just that its plot beats aren't really anything original or particularly well-delivered. The story keeps wanting to re-reveal that Rin really is the literal Son of Satan and have it be a big deal... but considering it was one of the first things we learned about him at the very start of the story, the response it prompts is less "OH MY GOD!" and more "Yes, we know. From all the other times you told us that."
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