Seto Kaiba

Oh good grief... this is easily one of the most asinine attempts to defend Robotech: the Shadow Chronicles I've ever encountered. Is he honestly deluded enough to think people will take an assertion like that seriously? He's gone from living in a fantasy world to being full-blown padded-room loony. Okay, I'm game... in what way was the plot of Robotech: the Shadow Chronicles cerebral? The story has no depth, subtlety, or nuance. It's a bland, samey little jaunt through recycled events, characters, settings, and plot devices which didn't explain squat. For the viewer to be aware of and understand the motivations of the Haydonites, they would've had to read the limited edition Prelude to the Shadow Chronicles comic miniseries. There's nothing cerebral about not explaining anything and throwing the viewer into the story in medias res. Unless the viewer was already familiar with the original series, they would have no idea who any of the characters were or why they should care. In no way is RSTC's story "cerebral"... it's just weak. Okay, I'm game... what does it mean when the people who have masters degrees think the movie has a weak, badly written story backed up by pathetic CG, spotty dialogue, embarrassingly bad voice acting, mediocre music? Maybe it's the other way around, and just the painfully ignorant and uneducated either can't spot a turd for what it is. His claim doesn't hold up... I've got a BS in Computer Science and a MS in Computer Security and I still think RTSC is a turd. Somehow, it seems a bit rich of him to criticize these elements, neither of which is unique to Macross or really all that absurd, when Robotech's central plot point is that everyone in the universe is fighting over pseudo-magical flowers with inconsistent properties. Be careful... Maverick_LSC probably thinks that's the wittiest idea in the world. Unsurprisingly, many of the intellectual fans were banned for "enjoying suffering" or "being disruptive" because they were criticizing Robotech: the Shadow Chronicles... and they were banned by Maverick and MEMO. Nope... Shadow Chronicles was written by Tommy Yune, Tom Bateman, Steve Yun, Ford Riley, and Frank Agrama, with credit to Carl Macek for the "original series".

Awww... that's a shame. I would've liked to read it. I'm always up for an expert's opinion. Considering the VF-25 and VF-27 are both canonically quite capable of flying themselves to the point where they burn up due to atmospheric friction (the VF-27 can compensate somewhat using its pinpoint barrier, but only temporarily), sticking those ridiculously powerful engines onto something neither aerodynamically nor structurally designed to handle them is a disaster waiting to happen. With thrust like that, and without an inertia store converter, there's a good chance of the pilot being pancaked into his chair if he opens the throttle up all the way too... Basically, what happened to Guld's YF-21 at the end of Macross Plus, but to a slightly more extreme degree...

Well, by way of an update, the old Macross Mecha Manual location (http://66.49.161.243/Index2.html) is now 100% inaccessible... it says that account's been suspended. The new location is just waiting on Mr March to finish uploading everything to it. Once he does, either he or I will post a link. If all goes to plan, the new location will be available for around six months until I get my new site set up, and once that's done we'll have a new permanent home for M3. I'll maintain the interim location he's uploading to right now for about the next six months or so in any case. Right now, all that's uploaded is the main portal to the site. I think he's still doing housekeeping and updates on his working copy.

Okay, one question. Why on earth would you want to do something like that? It's pointless. It's practical enough to keep a robust design in service longer with incremental systems upgrades if the role it was intended to fill hasn't changed, but to drag an antique like the SV-51 back into service by upgrading every onboard system is just pointless. Even if you can strengthen the airframe and cram all the new and updated technology into it, there's absolutely no guarantee that you'd get performance comparable or even close to fighters designed to accommodate those systems. The SV-51 was simply never designed for the sort of speeds or g-forces that would be imposed on it, which will make it much more difficult (if not impossible) to control at the higher velocities the improved engines are capable of. For that matter, it wasn't built to use things like pinpoint barriers, so there's the potential to mess with the weight distribution of the airframe, which could make it even harder to control. 3. Crash and burn after pushing the fighter well beyond the speeds and thrust ratings the airframe was aerodynamically designed to operate at. Offer really lucrative contract terms and scout for gullible pilots to compensate for the firey-crash-induced high rate of pilot turnover, and/or invest in a REALLY good ejection system.

Unless destroid armor also caught it in the shorts when Kawamori rolled up and added energy converting armor to the mix, something like a Molotov cocktail should be no cause for disquiet on the part of a destroid pilot... they were, after all, built for combat against ten meter tall aliens and their mecha. Eh, swapping the paired gun clusters out for something a little more versatile and, more importantly, a bit closer to the target... like the groin-mounted Gatling gun on the French C3-5 Mistral II arm slave from Full Metal Panic (bottom left mecha in the image below), or the chin-mounted antipersonnel machine gun on the MSER-04 Anf in Gundam 00. There are more examples of this, I'm just too lazy to dig them out. (EDIT + NB: The nominal destroid and "Poor Man's Valkyrie" known as the GERWALKroid has the same sort of chin-mounted cannon arrangement as the Anf... they even look somewhat similar...) Oddly enough, the Tomahawk's 12.7mm antipersonnel machine guns are mounted on top of the head where they won't do a damn bit of good against infantry at close ranges. (Can you imagine the Tomahawk running around bent almost double trying to sweep infantry with that thing?) The chest-mounted gun clusters are pretty clearly anti-giant weaponry... a laser cannon, a flamethrower, a 25mm machine gun, and a 180mm grenade launcher. No doubt they have practical applications against miclone targets too, such as destroying conventional armored vehicles and mopping up squads of infantry with napalm and/or shrapnel, though their placement would seem to indicate the intent was to be used against something about the same size as the Tomahawk itself (~11m).

Just from what I've heard about the early years of RobotechX, the site used to almost respectable as a venue for fans to express a broader spectrum of opinions without the tedious restrictions on content foisted on Robotech.com by Harmony Gold's corporate management. It was really just a safehaven for fans exiled from Robotech.com, and only started to go downhill in earnest once the nutjob contingent from RDF HQ and other such sites started migrating there with their crap about "true fans" and "Macross purist trolls". It went into freefall once MEMO got sick of his absurd claims about the Macross rights situation and Robotech's future being refuted and started banishing dissenting opinions to an invisible part of the boards. Um... MEMO is the owner of RobotechX. So yeah, that's how the people who own the site want it run. MEMO owns it, and SIGHUP does all the actual work. In my experience, the reason most fans blame Tommy Yune for the current state of affairs rather more than they do Carl Macek is the way he approached the task of expanding Robotech's story. Carl Macek's attempts to continue Robotech's story might've amounted to nothing more than a series of embarrassing failures, but he never had to stoop to rewriting the established continuity to make his stories fit. Tommy Yune catches a lot of flak because the first thing he did once he assumed the creative director position was to lay in with the retcons like they were going out of style. Substantial portions of the universe were deleted or significantly altered, and while he succeeded where Macek failed, his success came at the expense of additional retcons, further distorting the story and the setting. Tommy has basically Macross-ized Robotech a fair bit, excising protoculture fuel from the first two generations, majorly rewriting parts of the pre-Macross Saga history to something more in line with Macross, and deleting pretty much everything else that made Robotech separate and distinct from Macross, Southern Cross, and Mospeada. Basically, Tommy catches most of the flak for it because he fell into the same trap Paramount did with Enterprise. He invoked nerd rage in the fans by dicking with the established continuity and setting.

Who knows? Moreover, who cares? Pretty much everything in the "Robotech Sourcebook" is horribly off-model, and most of it looks like it was drawn by artists trying to "reimagine" the original designs in new styles... many of which just look lousy. (The little kid Minmei art gives me the creeps... it's a vaguely recognizable Minmay head hovering vaguely over a body that looks wrong in proportion and far too round to be human...) 's not quite the worst (or dumbest) thing in the so-called new comics... that would definitely be the "Mars Base One" short published in Robotech: Invasion, where they explain that the reason Mars Base Sara is deserted is because it was attacked by the Zentradi years before Breetai's fleet showed up, and that the last survivor (Lisa's BF) decided he couldn't get off-planet and went for a walk across Mars's surface looking for evidence of life until his oxygen ran out and he died.

Silly, isn't it? It's weird how when people jump to conspiracy theories and start pointing fingers, they start by pointing them at those least likely to be involved in whatever conspiracy they think is going on. Oh well... things are going to get REALLY interesting now that UEG has come out and denied the allegations of the other sources involved while claiming they're not going to talk about it or offer their version of why they received a cease and desist letter from Harmony Gold. If anything, that tells us something was going on that was rubbing Harmony Gold the wrong way. Despite their reputation for asinine behavior, even Harmony Gold wouldn't go so far as to start sending cease and desist notices without provocation. Even if the other sources are lying, they did SOMETHING to hack Harmony Gold off... Gettin' multiple, contradictory accounts here... gonna go get confirmation on the details from the other side of this later tonight.

I think so... though it's hard to tell. So much of the art in the so-called Robotech Sourcebook is either heavily HEAVILY stylized or just plain badly drawn that it's frequently hard to tell what's what. You should see the drawing of Minmei in there... it's kind of creepy.

I dunno... it might've been like that, but usually when MEMO edits something the best he can do is delete whatever the offending material was. Rewording a post to excise outrage or scorn is pretty much beyond him, at least as far as I've seen... 's why I can't muster much in the way of sympathy for them... of course they might've had a black eye in Harmony Gold's book for longer than this. Booting a Robotech.com moderator (Maverick_LSC) off the project for being all talk isn't gonna endear them to The Powers That Be either... (I heard about that from JT/Zen72, who has it directly from UEG themselves). Me? A Harmony Gold stooge? What can I say to that except: ROFLMFAO! Whatever you're smokin', I hope you brought enough to share. I'm about as far from being in Harmony Gold's good books as it's humanly possible to get. So much so that the Robotech die-hards regard me as something very much akin to the Antichrist, and I was targeted for a ban on Robotech.com AND RobotechX for criticizing Harmony Gold's handling of the franchise, Shadow Chronicles, and the way the mods on both sites quash anything like intelligent discourse. There's even a whole thread devoted to hating on me for being an evil, Harmony Gold-criticizing, Carl Macek-scorning bastard on RobotechFactor. Try a little thing called RESEARCH some day... it might help you save face by not making absurd accusations. If you must know, UEG themselves announced they were trying to talk things out with Harmony Gold after they received a warning, but before the cease & desist was served. It was posted on RobotechX, and UEG's website as well. Are you above such mundane tasks as reading news posts? Let's think about this line of reasoning here... "Harmony Gold detractors have friends in Harmony Gold". Why would a company as hostile to criticism as Harmony Gold spill insider information to their detractors? Anyone here familiar with me and my "antics" can vouch for the fact that I'm no Harmony Gold supporter. Hell, I spent more than a year at the very top of their hit list before they finally managed to ban me on a trumped-up charge. If you're really that allfired desperate to know where the information comes from, it's partly from actually reading UEG's bloody news posts, and partly information given to JT (host of the Protoculture Times) by UEG and other sources I've been asked not to reveal lest they get in trouble (it's an anonymity thing).

On the few occasions I've talked to Alois Fisher, I've always come away with the distinct impression that, rather that being rude and/or juvenile, he was genuinely unbalanced... so fanatically devoted to Robotech, and his belief in its inherent superiority to every other form of entertainment, that challenging his views in any way would see him descend into either frothy-mouthed ranting or threats of violence. Then again, a lot of the RobotechFactor crowd is like that... one time, one of their guys (WDKaiserV1) posted a public challenge, demanding that I drive to his home in Philly and fight him hand to hand in a nearby park. Smart money says he still is... unless he's changed dramatically since last I saw him, he's got a rigid, literally-minded blind faith in Harmony Gold and their company line where his intellect ought to be. UEG didn't seem that allfired upset about it... which I found kind of surprising. Their announcements read like they didn't really give a damn, and were moving on to their next project with all the emotion of someone replacing the batteries in his flashlight.

Um... wasn't it pretty much always that way? If anyone dared to criticize Harmony Gold's handling of the franchise and Tommy's pathetic attempt to keep it limping along, MEMO would banish it to Cannon Fodder where nobody could see it. Don't worry HP, I have a special method to help you understand MEMO's thought process. First, you need to abandon all rational thought, critical thinking, standards, and morals, and then you just have to chant "Carl Macek is God, there is no God except Carl Macek, and Tommy Yune is his prophet" until you lose your grip on reality. Actually, that's a pretty fair summary of MEMO's motivations for everything Robotech-related that he's ever done. If you talk to the people who knew him from the early days of the online fandom, everyone and their dog'll tell you that he does what he does out of a misguided belief that if he rallies the troops, gives 110% (of his income), and goes the extra mile (at his own expense) Harmony Gold will look down on him with pride from their lofty position as sovereigns of the worldwide anime industry (in his own mind) and elevate him to become one of their number. For his purposes, having any kind of dissent "in the ranks" is a bad thing, since he wants to show himself off as the leader of the loyal, die-hard fans who'll buy any damn thing Harmony Gold tells them to. Directly? No. Indirectly? It's highly probable. Macross Zero was in the later stages of production when Harmony Gold inadvertently ignited the whole legal dispute by trying to bar Macross merchandise from entering the US. I'd say the resulting punch-up between Big West and Tatsunoko that was triggered by their actions played at least a minor role in the Macross Zero release schedule. I don't have my copy of From the Stars on hand, but I don't think it has that big tower doodad on it when Roy shoots it up in the last issue. Other than that, your guess is as good as mine.

As I said earlier, while it's certainly unfortunate (for them) that UEG Productions were tripped up by Harmony Gold's legal department as close to the finish line as they were... my sympathy for their plight is diminished considerably by the news that they seem to have brought it on themselves by planning to use the project as a platform to promote their own original work for potential commercial exploitation, attaching unreasonable conditions to their negotiation with Harmony Gold, and spending the years before belittling the official products and badmouthing Harmony Gold's employees. It's like they were doing everything in their power to attract unfavorable attention to their project except leaving a bag of burning dog crap on Tommy's doorstep. Now, think for a minute... if you were in Harmony Gold's shoes, would you want a group that spent the last six years or so telling everyone you don't know what you're doing, that you're an incompetent bellend, and that they know how to do your job better than you do demanding to retain full ownership of unauthorized derivatives of your licensed properties to use to promote their own products? No. Of course not. Even Robotech fan projects don't have much to fear in terms of legal retribution, unless they start doing dumb crap like that.

Ah, I'm surprised he didn't contact me directly... but my point was that the Genia is an Alpha done up in a Skull Squad paintjob similar to the one on Roy's VF-0S, and sporting a wing structure similar to that of the VF-0D. Admittedly, looking at it again, BRL does have a point that it does borrow a lot from the early concept art for the "Vector", which later became Mospeada's Legioss. In my obsessive rage quest for accuracy, I must disagree on a technicality. The bulk of the so-called "new comics" isn't attempts to make small scenes from the Robotech adaptation of Macross seem more significant/dramatic, in many cases it's attempts to go back and fill in the Macross Saga's backstory and explain things that went unexplained in the series itself... like how and why Mars Base Sara was abandoned, what all the principal characters were doing when the SDF-1 crashed on "Macross Island", how a bunch of the characters met and came to hate each other, etc. True, there is also a fair bit of really unnecessary expansion on minor and rather insignificant plot elements in the series too... like the events surrounding Lance Belmont (GCM: Yellow Belmont) after he crashed on Earth, or the full extent of Roy's involvement in the VF-1 testing, and all that crap. Actually, from reading it I got the distinct impression that Tommy saw Macross Zero, said "this poo is AWESOME, I need to make something like this for Robotech". So he modified a plot from an old Robotech about how Roy was manlier than Chuck Norris with Anti-UN and VF test story elements from Macross Zero, and arranged a climax based around an event he pilfered from Macross's backstory (Sept. '05). The use of the whole business with Claudia was a necessary element in it, but wasn't major... it was just to tie the main story into the comic. He also used From the Stars to tie up a lot of little mecha-related loose ends and explain how everyone met, incl. characters from the Sentinels and Masters Saga. Love and War was exactly what you describe it to be... an attempt to blow the knife fight into the park into a sci-fi epic all its own. An attempt that failed spectacularly, and turned Milia/Miriya from a reasonably respectable character with some depth and a sense of honor/pride into a bog-standard Hollywood tough gal with anger management issues, which he seems to have drawn from shameless Milia/Miriya clone "Kiyora" in Robotech: Battlecry. Really, the "new comics" seem to have been Tommy working around a similar narrative model to that of the Expanded Universe of Star Wars, where EVERY LITTLE THING AND BACKGROUND CHARACTER IN THE MOVIES IS HUGELY SIGNIFICANT TO THE ENTIRE GALAXY. </rage>

I always enjoy these little speculative endeavors... especially once the military folks get involved and start dragging in practical know-how. As JB0 said, this raises some actual barriers to performance that degrade the Defender's all-around effectiveness. I'd suggest swapping the autocannons out for something with more kick and fewer thermal issues like a railgun, but that'd be a Defender EX from Macross II: Lovers Again, provided you also strapped a defensive short-range gun and a short-range missile launcher to it too. Soooooo... basically just the Tomahawk II from Macross II then? It fills all the criteria you've listed so far... the arms contain a railgun and a beam cannon each, it's got two more dorsally-mounted beam cannons, and the missile launchers have been integrated into the frame (including pop-out launchers at the knees), and it has the wheeled feet. You'd have to shrink the bloody hands down rather a lot to make that work... those things have HUGE hands compared to the VF-1. It'd probably be easier to keep the huge brawling arms intact and fit it with heavier fixed armaments like those chest-mounted gatling guns on Macross II's Tomahawk II. Or... you come up with a higher-capacity version of the system and give it some defensive armaments... oh wait, that'd make it the Phalanx Kai from Macross II. The Phalanx I (Mk.XII) has 44 missiles and no defense gun, the Phalanx II has 168 missiles and a defense gun. Amusingly enough, it also has the above-stated prerequisite of wheeled feet for added mobility. When you're dealing with an enemy like the Zentradi, for whom swarming tactics with superior numbers make up almost their entire playbook, having the maximum versatility in your close-in defenses would be a very good idea. With much-improved staying power like that of the Phalanx Kai, a second-generation Phalanx could easily be a huge asset in any air-defense setup. Now that's an interesting idea... the cabin on the VB-6 is kinda roomy, and I'm sure with a little extra work and maybe axing the battroid mode, it could serve as a "drop Monster" to carry a few squads of U.N. Spacy Marines into battle and then turn into a standard-setup Monster destroid. Wasn't that pretty much one of the original design concepts that didn't get used... having one common destroid chassis with different drop-in weapons arrangements? Well... exactly who owned the destroids in the original Macross series is sketchy too, it might very well have been the U.N. Army or U.N. Spacy Marines instead of the U.N. Spacy itself. Macross II is the only Macross to show which branch was commanding destroids in a combat operation (the U.N. Army during the final defensive battle of the series).

Just a few days prior to receiving that cease and desist letter, their advertising account on RobotechX was proclaiming the first "episode" of the project was going to be complete and rolled out in about one month's time. Assuming that he wasn't giving an optimistic estimate, they were pretty close to having something tangible out there. Now, what actually got shown over those six years were a few entirely unimpressive stills of their ugly mechanical designs and two or three trailers that made the designs look even uglier than the stills.

No kidding... even Harmony Gold has difficulty getting their masterpiece collection stuff to sell out in a timely fashion, and they're selling in aggressively limited runs to a small but fanatically loyal fanbase. I know we're venturing way off topic here, but I always felt that Mark Hamill's Batman: the Animated Series Joker was the best cinematic incarnation of the character, followed by Jack Nicholson. Heath Ledger never managed to get the whimsical attitude that was/is the Joker's most defining characteristic (and the thing that makes him so farting creepy), and instead came off as a dime store imitation of Ichi the Killer... not whimsical, not funny... just generic unbalanced nutjob. IMO, given the content of the so-called "new comics", it's a safe bet that the answer is "yes". There hasn't been anything new on the Robotech front since before Macross Frontier came out, so it's highly doubtful that Frontier had an influence on Robotech, but there's no doubt that Macross Zero did. Design elements of the VF-0D were incorporated into the retconned-in Alpha fighter prototype (VF-X-6 Genia) which showed up in Robotech: From the Stars. For that matter, that miniseries had a story that was equal parts material "borrowed" from Macross Zero, the events of September '05 in the Macross timeline, and material from the old Robotech comics. The plot had Roy testing the VF-1 prototype in combat against anti-UN forces for most of the story, wrapping up with the Anti-UN using a captured UN ship to attack UN forces. The only noteworthy changes being that Roy was operating a VF-X-1 instead of a VF-0, the Anti-UN didn't have a VF of its own, the hijacked ship was ARMD-01 instead of an Oberth-class destroyer, and it attacked Antarctic Base (lol internal reference) and wiped it off the map with a "reflex weapon" instead of having the hijacked Oberth destroy the Mars Return Fleet.

Under their current business model, it's unusual for most any anime series being distributed in the west to see much of any merchandise. Extensive merchandising is rare even among the shows geared towards the preteen set, and tends to be limited to just those shows which have been extensively sanitized to air on basic cable and broadcast television. Not exactly the faithful adaptation mainstream anime enthusiasts are looking for these days, since the censors working on those kid's shows frequently excise whole episodes (and even whole seasons) rather than risk offending all the bored stay-at-home moms with nothing better to do. Shows targeted towards teens and such tend not to have any licensed merchandise sold directly by the regional distributor at all, simply because the demand is insufficient to justify it most of the time. On a side note, I can't decide if BeyondTheGrave means sarcastic clapping or genuine approval of my criticisms of Heath Ledger's Joker.

They did that... it was called Aliens vs Predator: Requiem.

Well, for starters... the money they'd have to sink into negotiations, having the contracts drawn up, revised, etc. There's also the tedium necessary in secondary licensing like sorting out music rights and all that crap. Like any good intellectual property licensing agreement, it's a horrible fractal paperwork nightmare that burns hundreds or even thousands of man hours on both sides... and that's assuming Big West doesn't try to exercise any kind of oversight over how the licensed rights are being used. Unless, as I've said, the costs inherent in getting it done render any potential benefits insignificant or nonexistent. Buddy, if you think I'm disgruntled, you don't have a clue what the word "disgruntled" means... I'm nothing like disgruntled, and I find the present state of affairs with Harmony Gold's grubby little mitts as far removed from real Macross as possible an ideal circumstance. You might not like having to pay a tiny bit extra for your toys and collectibles, but I just think of it as the "no Harmony Gold bullshit tax" and get on with life. It hasn't stopped me from enjoying my Macross collectibles. Because the only reason anyone considers it "iconic" is because Heath Ledger died during filming... it's one of the worse Jokers in Batman. It's just Heath Ledger homaging Ichi the Killer in too much white greasepaint.

Rest of the tripe aside, the most important factors in Big West and Studio Nue's decision will always be whether or not the terms of the contract are advantageous to them, and whether or not they think the return on investment will be large enough to make it worth their while. As it stands, the anime market over here in the US is so small that it's highly dubious they would make a significant profit on the deal, and because Harmony Gold thinks they have Big West/Studio Nue over a barrel, it's unlikely they're offering mutually advantageous contract terms. No amount of wishful thinking on your part will change reality. You might not like it, but Big West isn't being unreasonable in refusing to work with Harmony Gold. It'd be a bad partnership and for minimal gain. Best... Joker... Ever. Or at least, the one most true to the comic books, but a good portion of that credit also goes to the writers.

No, but I can only define interpreting Big West and Studio Nue's unwillingness to sacrifice their business ethics, common sense, and profits to enter into a distribution agreement with an untrustworthy partner who practically defines sleazy for insignificant or nonexistent gain as "being butthurt" as monumental ignorance. It might just be the businessman in me, but I can't see anything you've proposed as being even remotely sound or practical for either company. It's a series of complaints and suggestions based on willful ignorance of the anime distribution industry's business model and the current state of the industry itself. After reading the rest of your post, I'm starting to understand why. In this particular scenario, you're the butthurt one. You don't care if there's a sound business care, or if Big West actually stands to gain anything from partnering with Dishonesty Gold, you're just mad that the current arrangement is mildly inconvenient for you. You don't give a toss so long as you can get your games and figures a little more cheaply.

Not a pessimist, a realist. I have realistic expectations based on observation of the industry instead of rose-tinted fantasies of a perfect world. Though one could argue that pessimism has a great many virtues... pessimists have the benefit of always anticipating the worst, so on those rare occasions when the worst happens they get to be smug and say "I told you so", and on every other occasion they get to be pleasantly surprised. I expect it's much more liberating than being in a state of near-constant disappointment as an optimist. And you find this a desirable outcome why? I'd like to think we've moved past the point in the anime industry where we need to butcher mature shows to "Americanize" them and make them accessible to the same target demographic as Transformers Animated. If we're going to make a Macekre of Macross, why not just bring the rest over as Robotech 7, Robotech Zero, and Robotech Frontier instead?

If we're going to point fingers over this, let's make bloody well sure we're pointing them at the right people. Word is that UEG got slapped down because they wanted to use the non-commercial Robotech Genesis project to promote their future commercially-exploitable work, and because they made unreasonable demands while trying to convince Harmony Gold to endorse their project. So, at the very least, Harmony Gold isn't the only party to blame here, if they can be blamed at all.

Oh joy... another bunch of assumptions that really don't work out. Really, in order for the merchandising to take off, Macross would have to already be established and popular. In the final analysis, anime merchandise itself is a niche market and only has broad appeal for the most kid-friendly shows like Pokemon, Naruto, etc. With all the occasional gory death and sexual innuendo, Macross is definitely not "little kid-accessible" like Transformers Animated and its ilk, where nobody ever dies or gets seriously hurt, and any romance is confined to "she's my friend, but girls are still icky". Like pretty much every other anime targeted to teens in America, Macross isn't going to move much merchandise outside of the collector's market unless there's a radical shift in viewer demographics. Widespread merchandising just isn't in the American anime distribution business model, and for good reason... there's not enough interest to sustain it. Even in a niche market, the merchandising does add up... but it doesn't add to much. In our case, it's likely that it just doesn't add up to enough to get Big West interested in working with a company that's been doing its level best to screw them over for the better part of a decade.