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Seto Kaiba

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  1. Seto Kaiba
    Thus far, I haven't seen any detailed commentary about engine maintenance procedures in the master file books, and there isn't any an official sources as far as I know. If I had to guess... and I would stress that this is only an educated guess based on what master file, as a non-official setting source, has to say about how the engines work... my guess would be "No". Fusion products produced by the reactor's operation would almost certainly be expelled from the aircraft as part of the exhaust flow. This is because the main mechanism by which the engine creates thrust is by introducing plasma from the reactor into the propellant flowing through the engine body. Contact between the superheated plasma and the propellant (whether that's air or liquid from the internal tanks) flash heats the propellant stream causing it to expand very rapidly. So whatever is being produced in the reactor in terms of elemental products of the fusion reaction is probably being thrown out the back of the engine as a part of the exhaust flow when it's used to superheat propellant.
  2. Seto Kaiba
    It's a kid-friendly series... a burned-out battlefield is no place for lightly comedic hijinks, but a day spa full of mud baths definitely has opportunities for pratfalls and such. Totally on brand for the series to put the action there. Oh yeah, that started a good while back in the Star Wars animated shows like The Clone Wars and Rebels. They didn't have to worry about budgeting for prosthetics or digital VFX, so they were able to make much freer use of alien characters in their stories. Greedo's people were very common The Clone Wars, with one arc focusing on their homeworld and their senator being one of Padme's close friends and allies in the Senate. The hammerheads were quite popular for crowd shots in The Clone Wars for some reason, but they also had a few minor focus characters like a padawan in The Clone Wars and the bartender and rebel organizer Old Jho in Rebels.
  3. Seto Kaiba
    The fusion processes are heavily dependent on the size of the star. Smaller stars will go through the proton-proton chain which fuses hydrogen into helium, while larger stars with more mass will continue that reaction into the CNO cycle which produces carbon, nitrogen, and oxygen, and larger stars will continue into other chains that produce even heavier elements. They all start with hydrogen, but how far they go with it depends on the mass of the star. Macross's thermonuclear reactors use intense artificial gravity to sustain a fusion reaction, suggesting their processes probably resemble stellar fusion reactions, though the type of reactions they pursue are based on other requirements since they can create gravitational fields of arbitrary intensity and size. As noted previously, Master File asserts that the earlier engine types preferred fusion reactions that produced a large amount of charged particles while later models preferred reactions that ran hotter.
  4. Seto Kaiba
    Yeah, but those aren't associated with any specific character. Nor are they particularly prominent in the OVA itself. The green stripe model is the generic cannon fodder sometimes identified as the men's color scheme while the yellow stripe is identified as the women's color scheme and only really seen on the three lesser members of fairy platoon.
  5. Seto Kaiba
    Probably because there were only two pilots with unique color schemes. Sylvie and Nex. All of the other named pilots had exactly the same color scheme.
  6. Seto Kaiba
    Well... Skeleton Crew would like us to know that we have a lot to learn about pirates. Why? Because that's the title of the new episode: "You Have a Lot to Learn About Pirates". Y'know... I was expecting that the treasure that merited hiding At Attin from the greater galaxy was going to be a bit of an anticlimax, but this is a lot more banal than I expected. All in all, a much better episode than the previous one. Very fun, very exciting, a strong Goonies vibe with a little bit of Aladdin when they finally get where they're going and discover the captain's hidden treasure chamber. The big reveal of At Attin's hidden treasure was flatter than flat, though. I don't know what I was expecting, but this is just so mundane that it makes the idea of the Republic having hidden multiple planets from the entire galaxy for the sake of this feel downright silly. They are also going really hard on the "is Jod a Jedi or not" angle in this one...
  7. Seto Kaiba
    Oh, yeah... in End of Evangelion. They did eventually solve that problem for the mass production type, though, with something nearly as broken as the fold dimensional energy converter. Yeah, and it makes sense to look to that for guidance since Macross's thermonuclear reactors work very much like stars given that the force compressing the fuel and maintaining plasma confinement is gravitational rather than magnetic. Official setting publications generally avoid mentioning what fuel is used in Macross's thermonuclear reactors. Instead, they often mention that those reactors can use a variety of potential fuels including ones that would not be considered usable in conventional reactors due to their use of GIC systems to start and control the reaction. Master File names several suitable fuel materials in its various volumes, though they're all the Usual Suspects like hydrogen, deuterium, helium-3, and lithium. Variable Fighter Master File: VF-19 Excalibur's discussion of the FF-2500 and FF-2550 series thermonuclear reaction burst turbine engine suggests that the preferred fuel early on was a mixture of deuterium and helium-3 (the same combo used in Gundam's UC) for the abundance of charged particles (free protons) the reaction produced that could be used by the engine's MHD generator. It then goes on to suggest that the New UN Forces later switched to a single-fuel deuterium process due to a combination of supply chain issues and advances in thermoelectric conversion technology that reduced dependency on reactions rich in charged particles. Given the use of intense gravitational pressure and the very low fuel consumption rate, it's very unlikely that any of these reactions were single-stage. (Deuterium fusion produces helium-3, for instance.)
  8. Seto Kaiba
    It does, though it takes considerable pressure to get hydrogen to a liquid state never mind the slush state that's reportedly used for fuel storage. It'd probably also require some unusual fuel transfer lines, since the SLACS in the wing glove area can dump propellant directly into the wing tanks while the fuel for the compact thermonuclear reactor is stored in the engine nacelles (legs). Actually, that's one detail I should elaborate upon because it's something I missed (or if you prefer, an error I made) when I was doing a piecemeal translation of Variable Fighter Master File: VF-1 Valkyrie Vol.1 and Vol.2. The tank capacities given in Vol.2 are strictly for the propellant used in space flight and in the vernier thrusters. Vol.1 mentions in one small section that it has a separate set of (much smaller) tanks in the engine nacelles (legs) specifically for the reactants used in the compact thermonuclear reactor. So there's quite a bit of complexity with reactant tanks vs. propellant tanks, with most of the onboard tank space being for dedicated propellant according to Master File. There's even a bit that talks about using the stabilizers as supplemental propellant tanks and the complexities of transferring propellant around the airframe. Probably worth noting that, as far as we know, you need ultra-high purity fold quartz to pull that off. No word on if the Master File-exclusive YF-29C with its ultra-high purity fold carbon can do it. I'm not even sure what that implies... I haven't seen Rebuild of Evangelion, do they go to space?
  9. Seto Kaiba
    Now that much would probably be unnecessary. Even the humble VF-1 Valkyrie carries enough fuel to keep its compact thermonuclear reactors running for weeks. The number most consistently cited is 700 hours, which is a bit over 29 days. Far in excess of the physical endurance of any pilot and probably exceeding the recommended maintenance intervals for several key systems. If the likes of the YF-29, YF-30, and VF-31 Custom Siegfried/Kairos Plus are any indication, a more likely progression would be to do away with the thermonuclear reactor entirely and adopt a fold dimensional energy converter to provide the fighter with an unlimited supply of energy from higher dimensions. Humanity first saw this technology in use in the Birdhuman in 2008, and saw it again in 2045-2046 in the Protodeviln. As of 2059, they've managed to construct a rudimentary version of the same technology as part of the fold wave system used in the YF-29. Given enough time, systems like thermonuclear reaction turbine engines would likely give way to fold dimensional energy converters and gravitic propulsion similar to what was used on the Birdhuman or on various Vajra forms. Yeah, fortunately the VF-1s from the Macross's airwing didn't have to go very far from the ship most of the time. They had some stopgap solutions like optional fuel bladders that could be inserted into the intakes, but the problem wasn't really solved until they started to field the Super Pack en masse.
  10. Seto Kaiba
    I don't think her intentions were anything that malicious... like everyone else in the story, she seems to have massively underestimated just how emotionally damaged and volatile Osha was. Ah, yeah that was a bit odd... The Acolyte writing team apparently missed Filoni's patch notes about NERFing lightsaber damage. None of that Sabine Wren "oh just walk off the lightsaber impalement" nonsense here.
  11. Seto Kaiba
    That's not what he's referring to. He's referring to the Slush and Liquid Air Cycle System (SLACS) described in the VF-19 and VF-25 Master File books. It's a system connected to the VF's sub-intakes that allows it replenish its internal propellant tanks (literally) on the fly by condensing, compressing, and cooling atmospheric gases passing through the sub-intake. The SLACS can only replenish propellant, not reactants for the compact thermonuclear reactor, so it's mainly useful for VFs operating in a planetary defense role since they can be launched from the ground and collect propellant on the way up or for VFs carrying out operations planetside and then returning to space, relieving some of the pressure on fuel conservation. (Since the same tanks feed the verniers, this also allows more liberal use of the verniers in atmospheric flight as a supplement to control surfaces. It's also noted to be useful for the not-actually-an afterburner, which injects propellant slush into the engine's exhaust stream where it is flash-heated back to gas and expands violently.) Apparently so, though it's presented as one of the new technologies first incorporated into the 4th Generation VFs like the VF-19 rather than something that's been present all along.
  12. Seto Kaiba
    Just realized I never answered this... sorry! The main atmospheric use-case for a VF's verniers described in official materials is using the verniers mounted in the wingtips to supplement the ailerons in the wing to allow the craft to roll faster and with greater precision than it could with control surfaces alone. (It's not normally animated, but we see these thrusted used prominently during DYRL? and especially in Macross Delta's third episode when Hayate is training in the VF-1EX.) The main design feature that replaces horizontal stabilizers on VFs is the use of thrust-vectoring nozzles to control the aircraft's pitch, supplemented by outward- or inward-canted vertical stabilizers that function like a V-tail with "ruddervators". Master File also asserts that the rear of the tail block (nicknamed the "beaver tail" on the F-14) is also configured as a movable panel to assist in pitch control, though its mobility is very limited.
  13. Seto Kaiba
    At the very least, she went out with far more dignity than the entire rest of the Jedi task force that got absolutely curb stomped by Qimir.
  14. Seto Kaiba
    Caught the last episodes of the latest season of Blue Exorcist and The Healer Who Was Banished From His Party last night. The Healer Who Was Banished From His Party was definitely a disappointment start to finish. The animation is never better than "meh" quality, but the story is so disjointed and so full of random twists that I honestly found myself tuning out repeatedly during the final episode. Blue Exorcist's season finale was actually pretty good, capitalizing on the tension that's been building all season long during the tedious exposition dumps and culminating in Samael sending Rin off into the past for another major exposition dump with an absolute nightmare face of a smile and the gleeful acknowledgement that he is a demon after all. The only part that really doesn't land well is the incredibly derivative twist where...
  15. Seto Kaiba
    The one good call that Leslye Headland made in The Acolyte was increasing Manny Jacinto's screentime. Qimir was the only character written with anything resembling a personality, and as a result ended up being the only likeable or interesting character in the show. Casting a different actress as Osha/Mae would not have improved The Acolyte any. The Acolyte's (main) problem was nothing to do with its cast. Its screenplay was a full-fledged Idiot Plot full of "that sounded cooler in my head" fan fiction-y set pieces with a cast consisting largely of typically stoic Jedi, a Sith Lord, and the twin protagonists in questionable-at-best mental health due to severe childhood trauma. Even a great actress would not have been able to rescue The Acolyte from its writers and directors. Amandla Stenberg delivered the performance that the director and the script she was given called for, which was wooden and unlikeable and frequently idiotic. If her performance wasn't what as the director and producers wanted it, it wouldn't have made it into the final cut. So if you want someone to blame... well... start with Leslye Headland (showrunner/director/writer), and go down the chain of command to Kogonada, Alex Garcia Lopez, Hanelle Culpepper (the other directors), Jason Micallef, Charmaine DeGrate, Jasmyne Flournoy, Eileen Shim, Claire Kiechel, Kor Adana, Cameron Squires, Jocelyn Bioh, and Jen Richards (the other writers). ... ... ... This show had way the hell too many writers, and no one writer worked on more than two episodes and six of the eight episodes had two or more writers. Every single episode effectively had a completely different writing team. What's that old saying? "Too many cooks spoil the broth"? Compare to The Mandalorian, which had only five writers for the entire twenty-four episode run and only four episodes with more than one writer. Simple. Because her performance goals as LucasFilm President and CEO are tied to LucasFilm's overall financial performance.
  16. Seto Kaiba
    What I recall from the one film studies class I took in college, film enthusiasts generally recommended to watch a film two or more times to fully appreciate it. Most people wouldn't, if they really hated it, but there are some sticklers out there. (Not to mention Star Wars fans determined to catch every little easter egg and bit of lore.) FWIW, I only watched The Acolyte once. If it hadn't been so offensively awful I might've done it twice just to make sure I was taking it all in. But nope, no thank you, once was once too many for this hot mess.
  17. Seto Kaiba
    There's a good reason for that. Prior to 1984, the PG rating in use was effectively equivalent to the PG-13 rating we use today. The MPAA split it into the modern PG and PG-13 in 1984 based on audience feedback to make separate categories to denote films not suitable for small children vs. films not suitable for pre-teens. Depending on if you ask Disney or George Lucas, the target age group is either 9-14, 10-14, or 12-14. Probably not coincidentally, the cast of Skeleton Crew are 13-14 and their characters are written to be around the same age. Relatable protagonists for the target demographic, I guess.
  18. Seto Kaiba
    Yeah, that's probably a big part of it right there... it was very rare for an underperforming title to be licensed at all outside of very specific circumstances (e.g. what happened with MOSPEADA and Southern Cross). Not everything... but the selection is much broader both because the medium is more accepted and because the market model itself has changed. Switching from direct-to-video releases to subs-only simulcast streaming cut out a lot of the upfront cost, so distributors could license more titles with less financial risk, so we get a broader cross-section of what the industry produces now.
  19. Seto Kaiba
    Disney makes no secret of the fact that they, like Lucas-era LucasFilm before them, tailor the Star Wars franchise's content to maintain a PG-13/TV-14 rating at most. Even Andor, which has a more mature story than usual, is TV-14. (The OT are rated PG, but that's because the PG-13 rating didn't exist until 1984.) Kids aren't the only audience, but they are the PRIMARY audience for Star Wars and always have been.
  20. Seto Kaiba
    Yeah, that's about what I'd expect in terms of Disney trying to frame the show's cancellation in suitably neutral corporate language. Instead of saying "we didn't think it would flop like this", you say "we were happy with it, but it did not meet expectations". Instead of "audiences hated it", "engagement was good but not as high as we'd have liked it to be". Instead of "we cancelled this because making season two would be like burning a quarter of a billion dollars in the parking lot" you say "it wasn't where we needed it to be in terms of cost performance". Some folks want to be thorough and not base their whole review just on a first impression. I can respect that. It's similar to how I tend to refuse to drop a show partway even if I don't like it because it doesn't feel fair to criticize the work as a whole based on just part of it.
  21. Seto Kaiba
    Well, I think I've finished up for this season except for Yakuza Fiance. Pretty happy with it overall. Definitely gonna grab a few of these titles on Blu-ray when they hit shelves. Esp. Yakuza Fiance, MF Ghost, and Ron Kamonohashi's Forbidden Deductions. Looking at it logically, I think that has a lot more to do with the existence of the internet and social media. It's easier for people to express their discontent in the modern era where in the 80's you'd have to pick up a pen and write a postcard to a hobby magazine if you wanted to make a visible complaint about the sameyness of the copycat shows and whether they'd even print it is another matter entirely. There are some articles in those old magazines that talk about the problem, though with typically professional politeness. A few titles, like Galaxy Drifter Vifam and Metal Armor Dragonar are noted to have underperformed commercially in part because they struggled to distinguish themselves from the titles they were imitating (Gundam) visually and narratively. Southern Cross is probably the most extreme example. Given that many of these isekai properties are, due to the nature of their stories, not likely to spawn sequels I wonder what the future of the genre will look like in ten or twenty years time. Of the big four, KonoSuba's light novel ended a couple years ago with volume 17 and Overlord's is set to end in a year or two with volume 18. Re:Zero and Tanya are still going. A few of the other stars of the genre are over or on hiatus like Ascendance of a Bookworm (out at 33) and Rising of the Shield Hero (on hiatus at 22).
  22. Seto Kaiba
    Have a "senior moment" there, mate? You launched into this tangent by arguing that Star Wars isn't being produced for kids. I pointed out that George Lucas is on record as saying it has always been for kids first and foremost. You asserted that Disney Star Wars is totally separate from Lucas's so Lucas's opinion doesn't count. I pointed out that practically everything in the catalog disproves that claim directly because all but two of the shows are direct extensions/continuations of Lucas-era stories that were developed for kids, and that even the two titles that aren't direct continuations of Lucas's work are still explicitly developed and marketed as family friendly kids shows per Disney itself. Or maybe your opinions of these shows are not universally held and people actually like titles like Skeleton Crew? Just a thought. If one were to go on reviews and what viewership data is available at this point, Skeleton Crew appears to be on a course to finish its first season as one of Disney+'s best-received original Star Wars titles. Up there with The Mandalorian's first two seasons.
  23. Seto Kaiba
    No, it's not pointless. You're missing a key distinction. Skeleton Crew has a bunch of easter eggs in it, sure. But none of them actually affect the story in any way. They're just there as freeze-frame bonuses. That's completely different from all of the other shows and movies I mentioned in my previous post where the story depends on characters, events, and/or macguffins from a previous work and assumes the show assumes the audience is already familiar with. To give a few examples: As it stands, there's nobody and nothing in Skeleton Crew thus far that requires the viewer to be familiar with a prior Star Wars Disney+ series. That could change, but thus far there is no prerequisite viewing required to fully understand Skeleton Crew the way there is for other shows. They absolutely have an incentive to produce quality shows. They're measuring the success of these shows in terms of viewership hours and subscriptions. If the shows suck, like The Acolyte, people tune out or even cancel their subscriptions if that's what they were there for. If the show is bad, people aren't going to buy the merchandise either, which is why The Acolyte saw most of its merchandising cancelled when it bombed. No, that stumbling block is quite real. It's what killed The Acolyte. Disney put a longtime Star Wars fan who adores the Old Republic setting in charge of the project, and she totally dropped the ball because she was too interested in showing her love for the setting to bother telling a coherent story.
  24. Seto Kaiba
    It's not technically George Lucas's Star Wars anymore, I'll give you that. But, at the same time, Skeleton Crew and Resistance are basically the only two Disney Star Wars titles that aren't 100% built on Lucas-era Star Wars. The sequel trilogy is exactly what those words imply. Rogue One, Andor, Solo, Obi-Wan Kenobi, and Rebels are all Episode IV prequels. The Book of Boba Fett is a spinoff of Episode VI and of The Mandalorian. The Bad Batch is a direct sequel to The Clone Wars, while Rebels, Ahsoka, and The Mandalorian are all spinoffs of story arcs from it. Ahsoka is also very much a spinoff of Rebels as it directly resumes plot threads from that series. The Acolyte was set up as a prequel to The Phantom Menace. Tales of the Jedi is set predominantly during the prequel trilogy and directly crosses over with The Clone Wars in a few places. Tales of the Empire is two separate stories that both directly pick up plot threads from The Clone Wars with Morgan's one tying directly into Rebels too. Nah, Disney paid a fortune for LucasFilm and the Star Wars IP. They're going to try to make Star Wars appeal to new and broader audiences to try and maximize their ROI and bring in new fans. Doing nothing but pander to the long-time fans is a losing proposition creatively and fiscally. Their main stumbling block is staffing. They need/want to develop new titles that have broad appeal, but they keep self-sabotaging by hiring longtime Star Wars fans or creators from the pre-Disney era who don't share that objective.
  25. Seto Kaiba
    Eh... George Lucas defended Star Wars, and particularly the prequels, as "kids movies" on more than a few occasions. But yeah, even though Skeleton Crew is being marketed as a kids show it's definitely for... what's that old marketing spin... "Kids of All Ages". 🤣 I'll be interested to see the viewership numbers when Disney releases them a year or so down the line. I get way too many trick-or-treaters in Star Wars costumes each Halloween to believe for a second that there are no kids who like Star Wars. On Halloween '22, it seemed like every fifth kid was Din Djarin.
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