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Seto Kaiba

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  1. Seto Kaiba
    Random Q for the performance/gaming aficionados here... have you any thoughts on the Intel Core Ultra 9 285K as a processor for a gaming rig? I know Intel's kind of on the outs with that community due to the issue with the 13900 and 14900, so I was wondering if that chip has any major drawbacks.
  2. Seto Kaiba
    Regardless of your conclusions, this is all off topic to the comparison of the Macross Quarter and Macross Elysion based on their official setting info so let's leave it there please.
  3. Seto Kaiba
    That would certainly add an unexpected dimension to the threat the Xenomorph poses to Weyland-Yutani. I can imagine little else that would strike as much fear into the executives as this slavering unknowable horror from beyond the stars stalks their halls and... audits their corporate tax returns. Miss Yutani would probably dry up and die like she'd taken a hit from the wrong grail. 😆
  4. Seto Kaiba
    An internally consistent argument that does not depend on assumptions, unofficial sources, etc. is obviously the ideal. Observation from the animation is of course very good. The animation model sheets even better. Descriptions from official media are also fine. Authoritative official sources are in general preferred. Based on the animator's model reference produced by Macross Quarter mechanical designer Junya Ishigaki which may be found in his personal artbook ROBO no Ishi as well as the Mechanic Sheet for the Macross Quarter in Macross Chronicle, this appears to be approximately 1/2 of ARMD-L's main hangar. The bow end, based on the design of the back wall there and the lack of the large double airlock to the Super Parts installation are and elevators. The full length of the hangar as drawn is eleven of those segmented wall panels long (plus approximately one VF-25 length from the emergency shutters at the rear), and there are I think five sets shown in this shot, suggesting this is approximately the middle of the hangar facing toward the bow. With thirteen planes fitting neatly into that space, the Macross Quarter's primary hangar should hold approximately 26 VF-25-sized aircraft, not counting the 2+ machine capacity of the Super Pack fitting area and the 7 machine capacity of the Battroid maintenance area at the rear. That puts the interior capacity of the ARMD-L at 35 machines based on the animation and animator's model reference. This does not account for the other maintenance areas that we see VF-25s being stored in in the series and movies. EDIT: (We're not really concerned with the CG model... but rather how the visuals of the series line up with each other. Artistic license is a thing, after all... nobody's expecting perfect veracity.)
  5. Seto Kaiba
    Rude... and demonstrably incorrect given the subject matter. ... your fan theories, yes. As I've gently reminded you many times now, this thread is mainly discussions about the information in official setting materials and other official publications. Your theories, no matter how convincing you may believe them to be, are still just fan theories. They're borderline off-topic in a discussion of what's said in official media, especially where they contradict the official material. Bearing in mind that 80 mecha is listed as the maximum capacity not the standard operating capacity and that that figure is inclusive of Valkyries, Ghosts, Battle Suits, and Destroids which may be stored in places other than ARMD-L... we don't actually know what the Macross Quarter's normal operating capacity is. If it's anything like a normal aircraft carrier, it's probably around 1/2 of the maximum... so about 40 machines in total. That's inclusive of Valkyries, Destroids, Battle Suits, and Ghosts, not all of which are stored in ARMD-L's main hangar space, so that doesn't seem like an unreasonable number to me. EDIT: At least five specific VF platoons are mentioned (Skull, Apollo, Blue, Purple, and Vermilion) as well as the one Battle Suit platoon (Pixie), suggesting the Macross Quarter's fighter complement included at least 20 VF-25s and three Battle Suits. Maximum capacity on an aircraft carrier usually means measures like leaving craft out on the deck, stashing them in the elevators, the maintenance spaces, and what have you so an ordinarily unsustainable amount can be carried. We do see VF-25s being stored in places other than the main hangar at a few points, though it's not clear where. Much about the Elysion is vague and poorly documented, as we've touched on previously. That said, I don't disagree that the Elysion's supporting carriers should theoretically be able to manage ~20 fighters apiece given that we know that in normal operations they have fifteen VF-31As stationed on the Hemera. Theory and practice are two different things, however. They actually seem to operate with far fewer aircraft than that in practice. All the available info in-series and out suggests the Elysion is home to just twenty combat aircraft (plus at least two trainers and one shuttle).
  6. Seto Kaiba
    On reflection, this may be a poor choice of example on my part. I had quite forgotten that Halloween implies Michael Myers was unnatural/supernatural as early as the first movie and its novelization. Jason's a better example, since he's tough but not "shrugs off gunfire" tough until after he's implicitly (if not explicitly) turned into an undead monster. A fair point! That's a question with no right answer because, as you say, doing the same thing over and over again will inevitably result in diminishing returns. IMO the best thing that a horror property can do is pace itself. Turning your monster into grist for the sequel mill and churning out a new sequel every few years is how you dilute the special-ness of the monster and burn out its narrative potential quickly. After the first few movies, Jason and Michael had to both be explicitly supernatural to explain how they soak up so much punishment and keep coming back and the already supernatural killers like Freddy or Chucky devolved into cartoon characters spouting one-liners. In either case, the movies quickly cease to provide true horror and instead are simply gore porn where audiences aren't turning up to feel scared but rather to see how the monster kills off the latest crop of generic movie teenagers. Declawing your horror movie monster by turning it into a more family-friendly action movie antagonist is a pretty decisive way to kill any prospects for future horror storytelling, though. Once you've made your monster less scary, it's very hard to make it truly scary again. Alien and Terminator both got hit with this hard after their actionized sequels with unsuccessful attempts to pivot back towards horror with their badly diminished monsters. That it did... but to the detriment of what came after. The studio has been desperately and unsuccessfully trying to recapture the fear that Big Chap evoked since Alien 3 and generally failing to get there because they keep treating the Xenomorph like the dangerously aggressive and territorial animal from Aliens and not the obviously intelligent, patient, and cruel hunter from Alien. I mean c'mon, you can't tell me you felt any tension at all watching that xenomorph fail to negotiate an ordinary 90 degree turn in a hallway during its at-best walking speed chase with Alex Lawther's character. (Made worse by how it's animated scrabbling around on all fours like it's hauling *ss instead of moving at the leisurely walking pace it's actually going.)
  7. Seto Kaiba
    Almost certainly not, IMO. There are a few countries that have laws and/or media regulations that restrict or outright prohibit the depiction or use of certain national flags in media, but the US flag is not typically one of them. Especially not in the countries where an American-made series like Star Trek is aired or streamed. There wouldn't really be any other reason to go to the expense and trouble to change the flag in the scene except to avoid a Top Gun: Maverick-type situation. Multiple prior episodes of Star Trek incl. TNG's "The Royale" and VOY's "One Small Step" had already pretty well established that the Americans led the rush to other planets and into extrasolar space too.
  8. Seto Kaiba
    Which serves to illustrate how thoroughly the studio missed the point back then. Asking how the military would deal with a (non-supernatural) horror movie monster is a fundamentally tension-destroying premise. Would the likes of Jason Voorhees, Michael Myers, or Leatherface be able to generate any real tension or fear if they were up against a platoon of heavily armed infantry instead of a bunch of teenagers and camp counselors? No, they wouldn't. If everyone's got guns and your monster ain't bulletproof, then your monster's not scary anymore. If you try to make it scary again by having a ton of them, all you've done is make your monster into just a dangerous animal and that's just not as scary. 😆 My friend, note that I'm holding Isolation up as the exception that tests the rule there... as the one time the people working on it understood the assignment instead of mindlessly indulging in fanservice like Alien: Earth, Alien: Romulus, etc.
  9. Seto Kaiba
    Honestly, I'd even skip Aliens. It was a pretty good or even great action movie but it was a pretty miserable follow-up to the excellent horror movie that was the original Alien. IMO, the only writing team thus far to actually understand the assignment when it came to writing an Alien sequel was Dan Abnett, Dion Lay, and Will Porter. What they understood that James Cameron and every other writer working on sequels failed to grasp is that what makes the Xenomorph work as a horror movie monster is the paranoia it evokes. Like the shark in Jaws, what makes the Xenomorph in Alien scary is NOT being able to see it. They know it's out there. They know it's hunting them. They know that It Can Think. But they don't know where it is until it's too late and the monster is ready to strike. Having the audience know where the monster is because it's constantly mugging for the camera robs it of most of its ability to scare. Combine that with being able to Just Shoot It and the threat it represents is diminished all the way to the level of "just a dangerous animal" like a tiger or bear that escaped from the zoo. Can you honestly say the Xenomorph's scariness and ability to intimidate didn't take another gigantic L when we saw a single guy tase it unconscious and bag it like a ten point buck in deer season? Throw Expanded Universe material into the works and pretty much anything is on the table due to wildly inconsistent presentation over decades of material of varying quality.
  10. Seto Kaiba
    So... it's behaving like the xenomorph from Alien 3, Alien: Covenant, and Alien: Romulus then? Starting episode two... Alien: Earth is so incredibly determined to show off the various gory demises suffered by the Maginot's crew when the ship's menagerie of monsters escaped that it's failing to build any kind of tension. It was at this point that my internet connection went out... as if my modem were desperate to protect me from the remainder of Noah Hawley's inept assault on science fiction. Is Noah Hawley is a first year film student? Seriously asking. This is some dogsh*t-tier writing even by Alien's low standards. It is, in a way, terribly impressive that Alien: Earth is a horror series that has managed to make me this phenomenally bored. I can honestly say this is less engaging television than some of the episodes of Paw Patrol or Blues Clues I've put on while babysitting my nieces and nephews. OK, where was this technology at any point in the rest of the franchise when it would have been insanely f***ing useful? Was it really necessary to bore the already bored audience further with American baseball reruns? Will we get to watch Hermit enjoy some footage of paint drying next? What I'll say for this one is that it's really, hilariously ironic that they chose "Stinkfist" by Tool for the closing credits. One of the first lines in the song is: Boredom's not a burden anyone should bear This series thus far is a phenomenally dull D- by-the-numbers monster horror flick that feels like it was written by a first-year film student who just discovered what "symbolism" is and thinks he's being incredibly clever. The writing is so unbearably tedious and cliched that it destroys any chance of building tension or suspense. Alien: Earth feels like a middle school class's haunted house. It's all dark hallways, strobe lights, and fog machines. The monster can't scare or even properly startle you because it's apparently so deeply insecure it has to keep reminding the audience that it's there in the first place. If the alien gets any more desperate for attention, I'm going to expect it to start tiptoeing shyly out of the woodwork with blush stickers on and speaking in an "uwu" voice to ask senpai to notice it. Did they poach these writers from Capcom or something?
  11. Seto Kaiba
    My weekly watch group is going back through Tenchi Muyo!'s OVA timeline, since most of our group hasn't seen OVA 4, OVA 5, or Isekai no Seikishi Monogatari. We just finished OVA 2 last night, and having translated a bunch of Kajishima's doujins and infobooks about the setting it's extra-freaking weird watching it knowing how all the charactes are related and how many tie-ins there are to Dual!, Photon: the Idiot Adventures, and Spaceship Agga Ruter. The Summer '25 simulcast season really is just a steaming turd. So far, I've dropped: The Water Magician I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability New Saga (Dishonorable mention for being the most generic f***ing thing I've ever seen.) Welcome to the Outcast Restaurant Apocalypse Bringer Mynoghra Scooped Up by an S-Rank Adventurer Lord of Mysteries Onmyo Kaiten Re:Birth Verse (Dishonorable mention for being a shameless f***ing ripoff of Re:Zero) Private Tutor to the Duke's Daughter (The worst case of "sameface" this side of Gundam SEED and it feels like the creator belongs on a government watchlist over their prurient interest in tweens.) The Shy Hero and the Assassin Princesses Solo Camping for Two (I cannot imagine a worse attempt at a romance plot outside of a Hallmark movie.) Detectives These Days Are Crazy! (Because "comedy" is more than just making funny faces at the viewer several times an episode.) Hotel Inhumans Turkey! Time to Strike That's a new frigging record, by an enormous margin. Crunchyroll's simulcast season page is starting to feel like the front page of the Nintendo eShop. All shovelware all the time. The bar was already low thanks to the overabundance of isekai, but it seems like these studios are holding a ****ing limbo contest. I refuse to even start The Rising of the Shield Hero season 4 because I know it's set past the point where the light novel completely jumped the shark. Dandadan has gone from being fairly interesting to fairly dull as the cast continues to grow with more and more "quirky" characters being added. I'm kind of just showing up for Secrets of the Silent Witch, Ruri Rocks, and Betrothed to My Sister's Ex at this point.
  12. Seto Kaiba
    Finally sitting down to watch this one myself... Really going hard on the thematic callbacks in this opening eh? I know Alien is pretty much a creatively dead property coasting on nostalgia and nothing else, but c'mon... at least put in a token effort to do something different. OK, suspension of disbelief is punctured worse than most xenomorph victims at this point. The idea that there is no traffic on the streets at all at midday in future Bangkok is absolutely laughable. Possibly the most unbelievable thing yet. For how absurdly little damage the crash does, I am still going to say "Bangkok without traffic" remains the least realistic thing in the show so far. Anyone else think Neverland looks like ****ing Jurassic Park when they take off? This is a huge pet peeve of mine when it comes to Alien sequels and spinoffs. The original Alien movie was as scary as it was because the crew of the Nostromo were professionals who did (almost) everything right and still got killed by the xenomorph. Every subsequent title in the franchise has seen a sharp decline in protagonist self-preservation instincts to or below standard horror movie levels such that by Prometheus and Covenant you'd swear the humans WANT to get eaten. When it comes to the first episode, I have to say I am not impressed. Bemused, certainly. Even a little disappointed. Is there a story here worth telling, or are they just jerking off like Fede Alvarez was in Romulus?
  13. Seto Kaiba
    "Practically everyone dies" is pretty much the default/only Alien story ending. They all get there sooner or later... the only question is how.
  14. Seto Kaiba
    Possible, but unlikely IMO. Aside from the blatant creator provincialism on display the reveal of the ship's origins has little-to-nothing to do with the actual story or its Aesop. The focus of the episode's conclusion isn't the scavengers, it's what James T. Kirk learns about the weight of responsibility that comes with being in command in his first outing in the big chair. The scavengers really could have been anybody and it wouldn't have mattered much in the end. What's far more likely to provoke discussion is that this goofy ****ing thing looks right out of Warhammer 40,000.
  15. Seto Kaiba
    "The Sehlat Who Ate Its Tail" Jeez, the lens flares in this are bad. There's one shot where you can barely see the captain because a (pulsing) spotlight behind her is shining directly at the camera. Remember the Pakled clumpships from the Star Trek: Lower Decks season one finale? Writers David Reed and Bill Wolkoff sure hope you don't.
  16. Seto Kaiba
    It was the YF-22, not the F-22... from 1990 to 1997, when the production F-22 was unveiled and officially named "Raptor".
  17. Seto Kaiba
    Yeah, her character's flippant and often silly behavior is a poor fit for the series. It's pretty obvious she was originally conceived as a Guinan-like "wise advisor" character who could dispense the wisdom from her millennia of life to help crewmembers with whatever problem they faced, but she's basically been demoted to comic relief in a series that doesn't really need it. Less a Guinan and more a Neelix. Hopefully come season four she'll end up replaced by Scotty, which is clearly the trajectory they're heading. The writers using her as their vehicle for their latest attempt to brand a new alien threat as "pure evil" is pretty silly too. Star Trek has always favored the idea that hostile aliens are not evil, just operating on different morality or different priorities, but Strange New Worlds tried to make the Gorn into "pure evil" in its first two seasons before walking it back and now we have this race of not-demons doing Exorcist things who are "pure evil" according to Pelia.
  18. Seto Kaiba
    If you look in the credits, it's her actual name. Sandra Yi Sencindiver is playing a character named "Yutani" (no first name given?) who is the current CEO of the Weyland-Yutani Corporation in 2120.
  19. Seto Kaiba
    It's after the merger, but before the events of the first film as far as we know. According to articles in Time, USA Today, etc. Alien: Earth is set in 2120. 16 years after Alien: Covenant and 2 years before the events of the original Alien movie (2122).
  20. Seto Kaiba
    She probably has people for that. 😆 Her tour crew has to have a fair few administrative staff dancing attendance on her wants and needs, as well as the hotel concierge staff wherever she's staying, as well as any personal shopper benefits her black card might afford her. And if that's not enough to get through preorder madness with her sanity intact she's got Grace and/or Brera, both of whom have a literal cyberwarfare suite in their brains. Hell, in Master File, Sheryl is able to get the SMS branch in Macross Olympia to not only assign a pair of VF-25s as her personal guard but to repaint them in custom livery and change their modex numbers purely for symbolic/nostalgic reasons. (To match her and Alto's birthdays... 1123 and 727 respectively.)
  21. Seto Kaiba
    It's happening all over for the last week or so, so much so that a bunch of web hosts are now saying they will block AI crawlers by default.
  22. Seto Kaiba
    Ruri Rocks continues to be excellent edutainment. IMO, it's great that it's not just gushing about mineralogy. The series frequently delves into the geology behind the formation of the minerals du jour and the scientific method(s) used to identify them and track samples back to a larger vein or deposit. Most importantly, it shows the pitfalls of taking shortcuts, using sloppy or improper methodology, and making assumptions and shows that even the experts can be wrong if they draw conclusions without all the facts. It's not just Ruri being on the receiving end of a lecture, she's actively involved and learning and making worthwhile contributions in her own right by thinking outside the box. (It's kind of making me miss Mythbusters, in a way... particularly in the sense that there's nothing wrong with being wrong as long as you're applying the scientific method and applying what you learn to refine your hypothesis.)
  23. Seto Kaiba
    Well, it looks like we're getting at least the first half of the Alabasta Saga there... Reverse Mountain, Whisky Peak, and Little Garden are all in the trailer. One thing to love about Netflix's One Piece adaptation... their attention to detail. It's hard to see, but you can see in that brief shot that they've even included the bands of cigars on smoker's arms and on the front of his coat.
  24. Seto Kaiba
    Catching up on a bunch of titles this week... finally got to My Dress-Up Darling S2. I'm vexed beyond words that it took so long to get a season two for My Dress-Up Darling. That one was so popular it's flat astonishing it didn't get green-lit immediately. My group (re)watched the entire first season before starting the second, and had a great time with it. Betrothed to My Sister's Ex had another good one this week, it seems our protagonist is finally coming around to realizing that being treated the way her family treated her is nothing remotely approaching "normal" never mind "healthy". Secrets of the Silent Witch also had another good episode, with Monica dealing with the practical etiquette classes and predictably freaking out over such niceties as tea parties and formal dances.
  25. Seto Kaiba
    Undoubtably... though it's entirely possible what Sheryl spent on that operation itself could equal or exceed the GDP of a small country in its own right. (You'd be surprised how small the GDP of some of the smallest countries is!) (Never mind her own net worth.)
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