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Seto Kaiba

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Everything posted by Seto Kaiba

  1. Considering they were able to clone Ripley back to life using "genetic memory" from the xenos, I kinda suspect they don't even need to invoke "the multiverse" for that.😵‍💫 Maybe we'll find out that thanks to the black goop and the xenos everyone who's ever been got by one exists in a massive telepathic shared memory like the victims of the mold in Resident Evil 7 and 8. I'll get to see this movie either later this weekend or next weekend, depending on how things shake out. My hopes for horror are not high, but I'm trying to remain at least cautiously optimistic.
  2. Considering how many pieces of Alien media have shown the xenos are perfectly fine spacewalking without any kind of protective gear, I doubt that's enough to kill it. Annoy it, sure. Piss it off? Probably. Starve it? If it's left to drift for long enough. Kill it outright? Not a chance. Bumping into it's gotta be a one-in-a-trillion shot, but that's a hell of a destructive space speedbump to run into. That probably means the two that Amanda Ripley ejected from the Torrens are floating around near KG348 (or may have fallen into the gas giant). Considering she "disembarked" the Sulaco as it was leaving orbit of LV-426, Queenie probably made an unassisted return to the planet's surface after falling from orbit... which is to say, she probably fell out of the sky and went "splat" in a distinctly unsurvivable manner.
  3. You sure about that? He's not on the cast list on IMDB or mentioned as being in the film by any news source I can find. The only context I can find in which he's even mentioned in connection with Kraven the Hunter is statements by sites like ScreenRant and IGN that Kraven the Hunter is the newest film in what's being called the "Sony Spider-Man Universe" (or "SSU"). That Sony-owned shared universe setting somewhat counterintuitively contains zero Spider-Man films but it does contain the two already-released Venom movies, Morbius, and Madame Web, as well as the soon-to-be-released Venom: the Last Dance, Kraven the Hunter, and an as-of-yet unrevealed Summer 2025 film that may or may not be Spider-Woman or The Sinister Six. Leto's own filmography does not list him as being involved in Kraven the Hunter either... the only two projects he's listed on after Morbius are Haunted Mansion and Tron: Ares.
  4. It never ceases to surprise me how many people don't understand the difference between "subjective" and "objective". There are a lot of disappointed grade school science teachers out there. "Objective" means "not influenced by personal feelings or opinions". Objective measurements are quantitative. Measurable. Not dependent on individual perception. An objective statement about a movie is something that can be demonstrated as an irrefutable fact like "It was made in <year>", "it was directed by <person>", "it made "x amount of money" at the box office". "Subjective" means "based on, or influenced by, personal feelings or opinions". Subjective measurements are qualitative. "Good" or "fun" or "enjoyable" are qualitative value judgements based on individual criteria and arbitrary scale and therefore subjective by definition. There's no unit of "fun" or "good" or "enjoyable" you can measure. It's based on individual perception and individual value criteria that are not universal or necessarily shared by any other person. Large numbers of people can come to the same subjective value judgement of a movie - like that Morbius was bad or that The Godfather was good - but that doesn't make that mass subjective value judgement objective because it's just a consensus opinion based on individual arbitrary criteria not something measurable. The closest you can get to an objective measure of "good" in a movie is its profit margin... but the quantifiable extent of its commercial success does not necessarily translate to audience enjoyment or artistic competence. For a great demonstration of that reality look no further than the Star Wars movies produced under Disney. Almost all of them made substantial profits, but are nevertheless judged to be bad movies by many fans. By the same token, people can go to a movie they find "bad" and still have fun with it because it's "bad" in a way they happen to find enjoyable. That's all subjective. Now now, don't blame the actor for the crimes of the writer and director. Even the very finest actors can only do so much if the script is an incoherent mess or the director's creative vision is in dire need of corrective lenses. Doubly so if they're stuck in the unenviable position of playing a character half a dozen other actors already have, with each director having a separate and distinct vision for them. Looking at the director, J.C. Chandor, he seems to be a relatively green but also relatively celebrated new director. He's only directed four prior films (Margin Call, All is Lost, A Most Violent Year, and Triple Frontier), but his work does seem to be pretty well received when it comes to film festivals and small-circle sorts of critics awards. He seems green enough that he's almost an unknown quantity. The writers... are less inspiring. Richard Wenk's filmography boasts writer credits on The Equalizer, The Expendables 2, Vamp, American Renegades, and the remake of The Magnificent Seven. Art Marcum and Matt Holloway (credited together) aren't particularly inspiring either. They worked on Iron Man, Punisher: War Zone, Transformers: the Last Knight, Men in Black: International, and Uncharted. Comic books are clearly not foreign territory to them, but the presence of titles like The Last Knight and Uncharted does not inspire much hope. I'd call it a coin flip whether Kraven: the Hunter will be fun or just funny looking.
  5. Has anyone seen anything corroborating the rumors that the story involves the original Big Chap? I saw that while browsing and haven't been able to find a source.
  6. People watched it because it's fun... it's a tongue-in-cheek action comedy that's not afraid to take a few shots across the bow of the excessively serious MCU. Which makes it the perfect break from the MCU. "Good" is subjective... and what we see with audience fatigue is that people get less willing to tolerate "more of same" even if it's something they would normally enjoy. My favorite example of this is Star Trek: Enterprise, which went down in flames ratings-wise because it was more of the same product audiences had been getting for almost 15 years by that point. People came back to it years later and realized it was actually pretty good TV, but it was so much like what preceded it that audiences just didn't want it so it was judged "bad" at the time. Nah, I think a lot of folks got tired of Spider-Man pretty quick. He's not a very deep character - most superheroes aren't - but once you exhaust his 2-3 iconic villains (Green Goblin, Doctor Octopus, and I can't think of a third) and he gets the girl there's not a lot left for him to do. The movies can't exist in the same kind of eternal status quo the comics do, so he can only have a certain amount of character development before he stops being interesting. From what I understand, the comics keep doing this to him too... resetting him over and over because he gets boring once he's married, lands at least moderately stable employment, moves out of Aunt May's house, etc. I think Kraven here is something like an attempt to do something with the property other than just endlessly rehashing Peter Parker's formative years. They picked a decidedly un-super villain from Parker's rogues gallery, and seem to want to develop in a very un-cartoony direction. The trailer feels very John Wick to me, with the implication that Kraven is a badass quietly passing the time until someone ruffles his feathers... then it's everyone else's funeral, literally. It's enough that I'm actually kind of curious to see what direction it's headed in. It really doesn't look like a comic book movie even though it is one. I'll probably go see this one when it hits theaters, out of morbid curiosity if nothing else. (It'd have to struggle quite hard to be worse than Borderlands, and I voluntarily went to see that in theaters.)
  7. He did. We've got multiple pieces of official art of the wedding. They even had a kid together before Megaroad-01 went missing in 2016.
  8. In all honesty, I don't think Deadpool in any way disproves that the superhero movie genre is suffering severe audience fatigue. I'd argue its success is in no small part because of that fatigue. Most superhero movies are high-stakes serious business stories where the fate of the city/country/world/universe/multiverse depends on the heroes. Doing that all the time, without a break in the middle to de-escalate things, makes subsequent escalations less impressive and burns the audience out more quickly. Deadpool, Deadpool 2, and now Deadpool & Wolverine are that de-escalation. They're a breather episode that isn't afraid to poke fun of how grimly serious the other titles are. Sony's Spider-Man is a great, and related, example. They've never been able to get more than three movies out of Spider-Man before audiences get bored with the character. They have the rights to the series in perpetuity as long as they put out a movie every six years, and through that they have the rights to his rogue's gallery and supporting characters, so here we are with a movie about a member of Spider-Man's rogues gallery coming out three years to the day after No Way Home seemingly reimagined as Great Value John Wick rather than doing a more typical superhero story or supervillain origin story. That's the thing, though... those (bad) movies and the multiverse shenanigans are being done because audiences are getting bored with the most mainstream superheroes. The studios want to keep this gravy train going indefinitely because they paid a fortune for those acquisitions. So they're hitting up less widely known superheroes and trying to move into different kinds of stories because you can only sell the spandex brigade punching space monsters so many times in a row before audiences are just bored with the whole bit. Three movies seems to be the limit for any given superhero or superhero team... even extremely well-received ones like Guardians of the Galaxy.
  9. It's good all the way through. A title that solid is a rare prize indeed. The Strongest Magician in the Demon Lord's Army Was a Human continues to underwhelm. Honestly, the 3D CG animation in this looks SO BAD that it actively detracts from the action. It's really bad when the CG animated monsters have to talk, because they make almost no effort to match the lip flap. My Deer Friend Nokotan has kind of fallen off into a "well, let's just do nonsense" approach, and it's not really funny anymore because they only really have one joke now.
  10. Sounds like the reviewers agree that Romulus is very much in the mold of the original, but just can't agree whether or not it's a good thing. For what it's worth, that makes me a bit optimistic about the film's prospects. I'm still worried it'll go too heavily towards the Aliens route and make the xenos unscary. I'm gonna wait 'til next week to go see it myself, my local theater suuuuuuuuucks, but I'm cautiously optimistic for this one.
  11. I've never been a fan of American comic books, but looking at film industry-wide trends it looks to me like comic book movies and streaming originals have exhausted a lot of the novelty of the recognizable flagship comic properties and the law of diminishing returns has kicked in. The studios are branching out in the hopes of finding something fresh that can keep the money coming in, because audience fatigue is a thing and they (and every other corporation) made unrealistic promises of unlimited growth to their shareholders. That's how they hide the really bad CG and cheap set design in IMAX... make it too dark to see a ****ing thing.
  12. Wow. You say he was a B-list villain, but surely with an outfit like that he was surely the kingpin of sartorial crime. I assume he wasn't always quite this... killy? This fellow is wearing a green fur-lined vest, leopard print tights, a tiger-print belt with fangs or claws on it, tiger-print arm warmers, green leopard-print exercise bands, and what appear to be either khaki pointe shoes or slipons. Put about a pound of concealer and eyeshadow on him and he's ready for RuPaul's Drag Race. I'd call the movie version a substantial glowup. The movie version of that costume looks like it was nicked from the set of Kevin Sorbo's Hercules: the Legendary Journeys, rather than looking like someone mugged Roy Horn at an Elton John-themed Halloween party.
  13. So this is... basically just Marvel's John Wick or something? (Not being a smartarse, I literally have no idea who this character is.) It looks like it'll be solid as a summer "popcorn" action flick, if nothing else. "Violence isn't an answer, violence is the question and the answer is 'Yes'."
  14. Why would they advise someone to watch Alien 3 or Resurrection? There are only two Alien movies. Three if Romulus turns out well.
  15. Definitely haven't kept up with Transformers in the... wow that's a long time... since the original cartoon went off the air when I was a kid. This looks so much like the cartoon I remember from childhood that I'm getting a little nostalgic just from the posters. I might go see this just for nostalgia's sake. Maybe take the nieces and nephews. Everyone's a bit smoother, but even the chiseled corners on the faces are still there a little bit.
  16. Not totally... but it's seldom wise to trust the critic scores because many news outlets that employ critics are owned by parent companies or subsidiaries of one or more of those major studios, and when it comes to franchises a lot of reviewers are not fans so their priorities tend to be very different to what fans are looking for in a franchise movie and they score accordingly. Audience scores are more reliable, but not the immediate audience scores because franchise stuff often ends up having its initial score tainted by agenda-driven review bombing (e.g. The Acolyte) and it takes a while to filter out the noise and get enough legitimate audience scores to truly reflect the quality or lack thereof of the work. Siskel and Ebert were no different, art in all its forms has always been political and art critics of every stripe have always waxed lyrical about it. People just didn't pay attention to it back in the day because art critics are longwinded nerds. It only gets attention now because people've discovered they can make money off of clickbait if they pretend to be angry about literally everything that doesn't fall neatly within their very narrow comfort zone. There doesn't seem to be much info about what it'll actually be about, but 30 years before the first film would tend to preclude any xenomorphs... which means we're likely back to the same "AI is the real monster" bone they were worrying in Prometheus and Covenant. That bar's a trip hazard in Satan's wine cellar... and considering how the last few installments went, I'd still be inclined to bet on them hosting a limbo contest.
  17. The Magical Girl and the Evil Lieutenant Used to Be Archenemies continues to be a fun little parody of the magical girl genre.
  18. Ossan Newbie Adventurer has apparently decided it's bored with being One Punch Man: Fantasy Edition and now wants to be a boxing anime.
  19. He's certainly distressed enough... all he needs is a pretty dress and a prince. If it both is and isn't the Razor Crest, does that make it the Spaceship of Theseus? The Schrodinger's Razor Crest? Since it's got "razor" in the name do we start with the shaver jokes? Is it the Razor Crest Quattro Titanium? The Razor Crest Hydro? Maybe just call it the Gilette?
  20. What were you expecting from zombie versions of the guys who got lost a war to the coked-up stone age Care Bears? Din would still find a way to lose a fight with one. That's just how he rolls. If he's not getting roughed up by anything that he's squaring up with, it's not The Mandalorian.
  21. I don't think there is... or perhaps I should say there shouldn't be. Din and Grogu's story has ended twice. First when Din returned Grogu to his people (the Jedi) and again when they settled down and got a homestead together. Anything more is going to require another Happy Ending Override, and I am certain you have not forgotten what happened last time they had to override a happy ending. That was the sequel trilogy. And few, if any, of us are going to argue that that was anything less than a complete fiasco. Nothing good will come from dragging them back into action a second time. True... Disney, like LucasFilm before it, will never let a satisfying ending get in the way of flogging a character mercilessly until everything remotely likeable or interesting about them is worn away by time and abuse from the writers. Not even death can free a character from the icy grip of the Star Wars Expanded Universe. Maybe Star Wars needs a self-aware story like Star Trek's How Much For Just The Planet? where the characters can take digs at being owned by a huge, amoral corporation.
  22. If you put it in the background and it doesn't matter to the story, why bother having it at all? Which isn't much of a story, if we're being honest with each other. There is nowhere new or interesting for Din and Grogu's story to go. Bringing in Thrawn just makes Thrawn a replacement scrappy for Moff Gideon, and takes the story back to where it was in seasons one and two. It's not going somewhere new, it's just doing the same thing again and worse. The Mandalorian had nothing left to show us before season three ended. That has not changed.
  23. ... having read the trilogy that bears his name and seen his live action debut, I would say Thrawn is oversold to a frankly comical degree by longtime Star Wars fans. Without the Man Behind the Man to prop him up and a healthy dose of Confusion Fu, he's not much of a threat. He's just the token competent Imperial officer in a sea of raving egomaniacs, complete psychopaths, and useful idiots promoted for their ability to blindly follow orders. Taking an L from "Distressed" Din Djarin and Grogu would be the deathblow to his remaining credibility. They're not gonna get into political issues in a movie like this... it's Din and Grogu, it's for the children.
  24. Mine... well... I picked the first thing that popped into my head back when my friends first started using online forums back in my freshman year of high school. We'd been reading bootlegs of the first few volumes of Yu-Gi-Oh!, which had only recently started getting collected editions in Japan, and the villain's name was the first thing that came to mind when the time came to pick a handle. Reused it on most forums because I was too lazy to come up with different handles for each, so I've been stuck with it ever since. 🤣 My current avatar is from the second panel of a two panel Macross fancomic by Ranko Asai in which Quamzin struggles a bit with Earth's literature. The gag in the comic is that Zentradi is supposedly Japanese written upside-down, so he's initially shown reading Osamu Dazai's No Longer Human upside-down without issue, but is completely thrown by reading the script for Macross right side up.
  25. It's unnecessary is what it is. But I guess Disney feels compelled to milk it because it's the only well-received Disney+ original besides Andor and that one was spinning off a movie to begin with. Mando and the child's adventures have already ended twice. Once when Mando delivered the child to the Jedi (Luke) and once when they finally defeated Moff Gideon and got a house together at the end of season three. There's nowhere else for the story to logically go. Moff Gideon is dead. The Mandalorians are resettling Mandalore. Din's status with his creepy fundamentalist cult is restored and the child is officially recognized as his foundling. Going back to bounty hunting just means getting the child involved in stuff that'll push him towards the Dark Side, and there's really nothing else for them to do.
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