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Seto Kaiba

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About Seto Kaiba

  • Birthday August 22

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    http://www.Macross2.net/m3/m3.html
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    MacrossMike

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    Lagrange Terrace (a stable community)
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    Anime (duh), Antique Firearms, Cryptography, Mechanical Design

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  1. IMO, Rebels was pretty good. Its main problem is that, like The Bad Batch, it's basically a direct continuation of The Clone Wars and puts at least as much effort into picking up and running with plot threads from that series as it does coming up with its own story. Ahsoka and The Mandalorian are basically spinoffs of it with Ahsoka literally picking up right where Rebels ended. My guess would be that Filoni is going to run the Disney+ Star Wars originals and future movies like the Expanded Universe. It's going to be "continuing adventures" and continuity porn, because that's what he does. His idea of a good time is origin stories for one-dimensional villains from the 2000s (e.g. the Tales series).
  2. Even so, blaming the president of the studio for a lack of leadership on the part of the lead producer, writer(s), and director(s) is a bit like blaming the CEO of a restaurant for a line cook getting your order wrong or blaming "Can you hear me now?" guy for a cell phone network outage. 🙃 Kathleen Kennedy was just a convenient blame figure for the fandom's culture warriors because she was a woman in authority and they're sexist AF, and because her position as the studio's president made her highly visible as the company's de facto head cheerleader responsible for all manner of promotional work. Give it time. Those reserves of goodwill will only last so long... especially if he continues trying to turn Star Wars into Star Wars: a Clone Wars Story. The man genuinely cannot let go of a 20 year old cartoon and he's rapidly running out of ideas. If Ahsoka is anything, it's a desperate plea for help and a sign that the well is running dry.
  3. Oh yeah, it's gonna be wild when the fandom's culture warriors arrive late to the realization that nothing's gonna change because Kathleen Kennedy was the company's president not someone who was heavily involved in the day-to-day creative work. 😜😆 I wonder who the new scapegoat will be? If it's Dave Filoni, at least they'll be blaming someone deserving for once.
  4. The Other World's Books Depend on the Bean Counter dropped a new episode today. So... um... Crunchyroll's list of applicable genres and short description of the series is missing a very critical detail. Their series page lists The Other World's Books Depend on the Bean Counter in the Fantasy, Slice-of-Life, and Romance genres with a 14+ content advisory for "suggestive dialogue". The actual genre this series belongs to is Boys Love, as protagonist Seiichiro found out "the hard way" in this week's episode. 😅 I didn't look the series up on Wikipedia before starting it, and nothing in the entire first episode gives any hint that it's anything other than an isekai fantasy slice-of-life title taking a couple shots at Japan's toxic work culture. The first (and only!) warning of where things were headed was when the protagonist gets sick from drinking too many of the potions that are this world's equivalent of energy shots and, after being rushed away for treatment, [...] Once that's over, it's right back to firing shots across the bow of Japan's office culture like nothing happened with the knight order's doctor being absolutely horrified by Seiichiro's overall poor health, lack of sleep, and atrociously unhealthy vegetables-only diet. The rest of the episode is the knight commander borderline bullying Seiichiro into abandoning a whole array of ingrained toxic corporate culture habits like constant overtime, excessive use of stimulants, skipping meals and poor diet, taking work home after work hours, and so on... which sounds distressingly like a bunch of the conversations I've had to have with contract staffers at my day job. 😕 Still, I'll ship it. Probably the first human kindness that the poor bloke's felt since graduating college and entering the workforce. Honestly, I'm having a real problem writing this because 90% of the turns-of-phrase I want to use to describe how unexpected that was sound like double entendre in context now. 😅 Still an interesting series... the adult content was frankly unnecessary and adds nothing to the story.
  5. In most cases, those "hows" and "whys" of the ancient constructs in question had already been found out and fairly well documented years if not decades before von Daniken put pen to paper. Von Daniken's books ignore the findings of real archaeologists in favor of fantastical nonsense about alien intervention because they aren't trying to present a serious scientific theory, they're a vehicle for racist ideology. The whole premise underlying the ancient alien intervention hypothesis von Daniken popularized is minimizing or handwaving the achievements of indigenous cultures in Africa, Asia, and the Americas (but not Europe) by claiming those native civilizations couldn't have built or discovered what they did when they did without a superior civilization's assistance. Looking up who his editor was is enough to make it very clear that that is not accidental.
  6. Tried out You and I are Polar Opposites today over lunch. It's very similar to Inexpressive Kashiwada and Expressive Oota in its basic premise of "someone with no poker face is very clearly down bad for their incredibly stoic classmate". IMO, it functions a lot better as a story because the protagonist Miyu is very aware of her feelings for her stoic classmate Yusuke and just not quite able to spit it out instead of being a bratty bully. It sold its romance well enough that it got me in Miyu's corner before the end of the episode, so I'm looking forward to more. 👍
  7. For all the vast and far-reaching harm his pseudoscientific quackery has done in the fields of history and archaeology, it can at least be said that he indirectly did some good in his first book inspiring Stargate.
  8. Also sampled The Villainess is Adored by the Prince of the Neighboring Kingdom and A Misanthrope Teaches a Class for Demi-Humans. Both appear to be passable but unremarkable, utterly by-the-numbers examples of the otome game isekai and "normal guy teaches a class at paranormal school" genres respectively. The Villainess is Adored by the Prince of the Neighboring Kingdom is the story of a girl reincarnated in medias res as the villainess in the otome game she was playing when she died by Truck-kun, regaining memories of her past life just before she's due to meet her fate in the usual otome game villainess manner. Her story starts in earnest when her ex-fiance's plans to send her into exile are derailed barely a minute after being voiced by a prince from the neighboring kingdom declaring that he has Always Loved Her and immediately popping the question. It's not bad. It's just... really committed to that formula. A Misanthrope Teaches a Class for Demi-Humans is similarly formulaic. Another one of those series about an eccentric but otherwise normal human getting hired to teach at a school for paranormal beings in part because their life kinda-sorta sucks and also because part of the school's curriculum is teaching said paranormal beings how to act human. In this case, the teacher is a guy with social anxiety who quit his job as a regular teacher and is now stuck with a class containing three animal girls and a mermaid. Also not bad, but following its formula so strictly that you'd suspect deviation is published by caning or something.
  9. The third episode of Kunon the Sorcerer Can See dropped today. The first two episodes definitely didn't make a good impression and the series definitely started as it meant to go on. Partway through the third episode, I had to pause when I finally found the words to articulate why this series feels wrong. It's not just that the story is a badly written mess barely paying lip service to its own central premise. The combination of its directionless-feeling story and wildly uneven pacing makes it feel like the series is rushing without a destination in mind. Like they're just trying to get through the story as quickly as they can so they can go do something else. For instance, the main character only just started school the previous episode and is already set to graduate in this episode without ever actually attending a class. The school seems to serve no purpose in the story besides providing another group of randos to frantically glaze the protagonist at every turn. It's done so often, and so such ridiculous extremes, that it's actually quite disruptive to the story. I don't think I'll bother watching any further.
  10. The first Infinity Castle movie is gorgeously animated... but because it follows exactly the same format as the TV series despite being a 155 minute movie the flashbacks REALLY REALLY drag on. Like, I remember I did not check the length of the film before going to see it at my local theater and was absolutely flabbergasted that the film was still going and still aggressively flashback-ing at the two hour mark. Caught another episode of The Daily Life of the Part-Time Torturer over lunch today. Its outrageous premise is no more than superficial so far and it's really just a "my daily life with my quirky coworkers" slice-of-life title. The vast majority of the physical business is offscreen or implied so the "torture" part is mostly just refuge in audacity for an office setting, since the characters don't really treat their work with any more gravitas than might normally be reserved for an afternoon spent shucking clams. It's not really bad... it's just... why? Why is this a thing? If you changed their occupation to rubbing grease on weasels it would be exactly the same story.
  11. More new season stuff... Jujutsu Kaisen's third season has started, picking up where the last one ended with the start of the Culling Game arc. The part where the original manga began seriously inflicting darkness-induced audience apathy on casual readers. It's a tournament arc, and IMO a bit of a pointless one since its villain's ambiguous goal being little more than "for the lulz" and it only really serves to put off the final confrontation with the story's big bad (Sukuna) by putting two dozen or so cannon fodder characters in the way so what's left of the main cast can farm them for powerups.
  12. Started A Gentle Noble's Vacation Recommendation. It's an isekai series, but it's one of those rare ones that tries to subvert the usual formula by having its protagonist get isekai'd from one fantasy world to another. In this case, a young and sheltered nobleman finds himself suddenly transported to another world and rather than make a fuss about it by panicking he opts to take the whole thing in stride and treat it as an extended vacation. First impressions are that it's actually pretty dull. It's definitely different... but the protagonist is so utterly unbothered by every aspect of his predicament that it feels like he's on something. He greets being dumped in an alley in an unfamiliar country or having someone try to lop his head off with the same energy that a normal person might reserve for informing their waiter that a drink they ordered didn't make it onto the check. Hard to get invested in the protagonist's story when they don't feel like they're invested in their own story! The Invisible Man and His Soon-To-Be Wife is a supernatural romcom about a blind woman named Shizuka who works as a receptionist at the Tounome Private Detective Agency. Her employer, detective Tounome, is a literal invisible man (ala the H.G. Wells novel) who is utterly fascinated by her ability to perceive him where normal people cannot. So they start up an odd relationship together as a blind woman and unseeable man. The setting seems... a bit odd. Mostly like the modern world, though there seem to be various flavors of beast-folk (running the gamut from "human with animal ears" to furry mascot). One set of clients that show up at the Tounome agency profess to be literal space aliens. It's mostly just a framing device for a cute but straightforward romcom. It's very light and cheerful. Almost to slice-of-life levels. Definitely one for the "easy viewing" category, if you're looking to clear your palate after something heavy.
  13. OK, lots more shows dropping now. The third season of MF Ghost has begun in earnest. The eurobeat's back with the OP Timeless Power... but is it really necessary to show the chubby race queen getting hit in the face with a packaged ham in the OP? They're finally starting to wrap up the plot they left hanging at the end of season two with an injured Katagiri who couldn't use 2nd gear falling way behind. They're really dragging this race out though, yeesh. It was 2-3 episodes last season and it's gonna be at least 3 this season too. Tamon's B-Side... jeez this girl Utage is thirsty AF. She's taken the "fangirl turns her room into a shrine" thing to the point of even having a poster of the titular idol on the ceiling over her bed. Honestly, it's part of what makes the comedy work. She's so absolutely obsessed with this idol that she refuses to reject him for being a real person with real problems and manages to come off as a bit of a heroic comedic sociopath while she's helping him because she can't bear to see him fail. It's cute, it's funny, and it's on the unconventional side. I quite like it. One new one I picked up is Champignon Witch, a light fantasy series about a feared and shunned, but generally harmless and well-meaning, young witch who makes a living brewing medicines for nearby towns and generally helping people. The people of the kingdom are wary or afraid of her because her magic causes poisonous mushrooms to spring up in her wake wherever she walks, which is also the reason for her unusual nickname "the Champignon Witch". Apparently there's some fantastic bigotry involved with the kingdom she's in being ruled by one faction or species of witches and her belonging to the other.
  14. One of the points of some debate WRT the Ikazuchi is whether that 300m figure is inclusive of the fins on the back. I tend to side with the school of thought that it isn't, since that allows the rest of the ship to be slightly larger and makes the fit for the bays easier. If I use your art there as a sample, the fin-less 300m is approximately 800px (so a resolution of ~0.375 pixels per meter). That makes the interior dimensions of the bays 85x32px, or approximately 32m x 12m. The Legioss Armo-Soldier's only 4.3m across the shoulders according to MOSPEADA Color Graffiti and a bit under 2m front-to-back meaning six ranks of Legioss's stacked side by side only gonna run ya 25.8m x 8m, meaning there's room for 'em to fit with the spacing seen in the anime in the 300m ship as long as the fins aren't part of that 300m. Making it 1/1000 at 35cm more or less aligns to the "the fins don't count" theory of its size. (That's a topic that the MOSPEADA and Robotech fandoms have chewed over many times in the past.)
  15. It's possible it doesn't have traditional landing gear. After all, it's a fold-capable aerospaceliner, so it's got gravity control capabilities. It may just be landing on skids or potentially even just hovering there on gravity control levitation.
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