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Seto Kaiba

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About Seto Kaiba

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    http://www.Macross2.net/m3/m3.html
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    MacrossMike

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    Lagrange Terrace (a stable community)
  • Interests
    Anime (duh), Antique Firearms, Cryptography, Mechanical Design

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  1. "But I will have my revenge!" - Maul, being confidently - dare I say hilariously - wrong. This strong contender for Star Wars's #1 chronically aura-farming full-time jobber will, in fact, not have revenge of any kind. He'll be a mild nuisance to the Empire for a while, try to groom a kid, take a second whack at being a crime lord (apparently unsuccessfully), become a nuisance to the crew of the Ghost for a bit, try to groom a different kid, have a force vision about Palpatine's downfall, and then get unceremoniously killed off for real in the desert by Obi-wan Kenobi in a "fight" that barely lasts five actual seconds (three of which are him unnecessarily twirling like the Disney princess he is).
  2. Quess wishes she had a hundredth of Ranka's personality or charm. Gigi wishes she had one ten thousandth of Sheryl's. Also Quess is dead. She's not going to make any progress in a love triangle as a Newtype ghost or a memory haunting Hathaway.
  3. I know that feeling. 😅 In the last 6 years? Well, the biggest bullet point would have to be the 2021 release of the second Macross Delta movie Macross Delta: Absolute Live!!!!!! with its all-new story and Macross Frontier's short film epilogue Macross Frontier: the Labyrinth of Time. That gave us a look at 6th Generation VFs and Ghosts, some info about Lady M, the fate of the Megaroad-01, a little hint about the fate of Alto and Sheryl after The Wings of Goodbye, and an array of other related topics. (Not to mention 2021 being when the Macross licensing embargo finally broke, with select Macross titles now available on Hulu/Disney+.) There's been a few more artbooks, a new Master File for Absolute Live!!!!!!'s new Valkyrie, some fan efforts to translate the Macross Frontier, Macross Delta, and Macross the Ride light novels, the promise of a new Macross series from Bandai Namco Filmworks at some point, etc.
  4. Well, every new title adds new mecha and new trivia and we're translating more stuff all the time. 👍
  5. How "official" do you consider a song that was re-recorded by a dub voice actress during localization? Because this is, IINM, the re-recorded version of Mou Ichidou that was produced by US Renditions for the sixth episode of Macross II: Lovers Again using Ishtar's US/English voice actress Debbie Rogers. Re-recording songs like this was trendy for a while in the 90's. Some even had the original artist record the English version too (e.g. Tenchi Universe) while others had an English-speaking performer record over the original (e.g. Sailor Moon's "Moonlight Densetsu" or Tenchi Muyo! OVA 2's "Pioneer").
  6. So... apparently Star Trek: Starfleet Academy's performance was SO bad that Skydance Paramount has reportedly opted to end the arrangement that gave Secret Hideout exclusive creative control of the franchise. Something they really should have done after Discovery spun in, IMO, but better late than never and I can't imagine many fans will miss them. Which is weird, because the transwarp network was explicitly destroyed at the end of Star Trek: Voyager. Even if some of the Borg conduits survived because the Queen did, albeit in a diminished state, they shouldn't still be around centuries later after the Borg went extinct.
  7. Huh... I'm not sure what to make of a pronouncement like that. Granted, G-Witch and SEED Freedom were some weak sh*t in the writing department with the latter's story being entirely unnecessary but they were still light years ahead of the torrent of optical diarrhea that was Netflix's bastardization of Cowboy Bebop. Their stories were at least functional. Western attempts to adapt anime tend to miss the point of the original story with distressing thoroughness. Just asking... but is your day job to greet people who solve a cursed puzzle box? I guess statistically speaking someone had to like it. Most folks considered it to be distilled disgust, and the very picture of sh*tting on a classic for no real reason.
  8. Another highly questionable hiring decision from this project. Honestly, it's starting to feel like Netflix is trying to fail with these live-action anime adaptations. His filmography is far from confidence-inducing... he seems to have been somewhat typecast as "ethnic drug dealer" given that his main acting credit of note is playing a cartel member named "Nacho" in Better Call Saul and he was fired from a starring role as another drug-dealer character in an Apple+ original crime drama called Dope Thief for getting into a fistfight with another actor. >Gundam >Do something original with it 🤣 It's Gundam, the odds of encountering original thought are close to zero unless this ends up being one of those in-name-only adaptations like the last Silent Hill, the new Resident Evil movie, etc. Look back at Netflix's Cowboy Bebop and tell me that's going to be a challenge. I dare you.
  9. Definitely. IMO, Kurtzman-era Star Trek's biggest creative stumbling block is that the paranoid grimdark world of the 32nd century is painfully underdeveloped. Star Trek: Discovery picked up and moved from the 23rd century to the 32nd on a whim to escape accusations/complaints that the series was messing with canon. They just never stopped to actually think out what the 32nd century should be besides "dystopian". They seemed to assume that Star Trek exists in the same kind of cultural and technological stasis as Star Wars and spared practically no thought for how the setting might evolve in 900 years or what the implications of the many technological advancements made in chronologically later Star Trek TV shows would have for their story's setting. The few acknowledgements of progress were to handwave why that progress disappeared. The grimdark could have been made to work if they'd actually thought it out properly, but they didn't. They wanted to make off-brand Star Wars. TBH, I don't think Jeri Ryan could carry a Star Trek series. Her character stood out in Picard because she was one of the only characters in the series who wasn't wallowing in depression and irrelevance or a vaguely racist stereotype. Her story is building on that same grimdark nonsense from Picard, and nobody wants more of that. Definitely. Many fans continually ask why Alex Kurtzman and Secret Hideout are still involved with the franchise when the vast majority of their output has been failures.
  10. That's only because they don't own the IP behind those failures. They have to pump out a string of failures in order to hang on to the license. Paramount owns Star Trek, so they don't have that same incentive to take unnecessary risks.
  11. Strange New Worlds and Lower Decks are proof positive Paramount/CBS absolutely CAN produce worthy Star Trek material when they engage with creatives who understand the franchise. If nothing else, I hope Paramount/CBS's key takeaway from the crash-and-burn failure of Starfleet Academy is that nobody likes their sh*tty 32nd century setting and they retcon the whole thing into an alternate timeline.
  12. Well, that was predictable... https://gizmodo.com/star-trek-starfleet-academy-canceled-paramount-2000736976 Star Trek: Star Feet Academy... er... Starfleet Academy has officially been cancelled by Paramount. The show's second season, filming of which concluded just a few weeks ago at the end of February, will be its last. It seems likely that low viewership and overall poor audience reception motivated the show's cancellation. The series probably would not have gotten a second season had Paramount not overconfidently rushed a second season into production before the first was even out. For now, the future of Star Trek appears to be up in the air with several pitches that all seem unlikely to reach production including: Star Trek: Legacy, a Picard spinoff/sequel starring post-character derailment Seven of Nine as Captain of the Enterprise-G. Star Trek: Year One, a Strange New Worlds spinoff/sequel that is a de facto soft reboot of Star Trek: the Original Series. A yet-untitled live action comedy series Tawny Newsome is working on featuring workers on the pleasure planet Risa.
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